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"These are great recordings"

I agree! (Of course these days, I have almost all of the Karajan/VPO albums on Japanese CD's.) One recording which stands out for me is Karajan's VPO recording of "The Planets" - it's SO much better than the remake which the conductor did with the BPO on DG. That DG recording dates from the era when their Tonmeisters were using 60-zillion microphones per session, and had the awful synthetic sound to prove it! ;-)

(OTOH, there are other DG recordings from that same era which I never thought could be salvaged, and yet the newest Dolby Atmos incarnation of Karajan's 70's set of Beethoven Symphonies, recorded in a similarly over-miked way, now sound amazingly natural in comparison - even though they've no doubt undergone even more digital manipulation!)

Thinking back to my London Stereo Treasury pressing of the Karajan/VPO Also sprach Zarathustra, it drove me out of my mind, since side two was pressed off center, so that the ghastly wavering of pitch got increasingly noticeable towards the inner grooves. I trust that the original London and Decca issues did not have this problem?



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