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RE: And let's not forget the phonostage

In my opinion, the ultra expensive high-end is all about ego and status. It has nothing to do with sound quality.

You say you've listened to a $150k+ analog front end. Well, so have I! I've listened to several in that price range and I even made hi-res digital recordings of a Rockport Sirius III with van den Hul Colibri cartridge and darTZeel phono preamp. I still have those recordings and I don't think they necessarily sound any better than my own $20,000 analog front-end.

Therefore, in my opinion, it all depends on what we want to believe we hear and how much value we place on the differences we want to believe we hear. As for me, there is no turntable, cartridge and phono stage worth more than $20,000 based on sound quality alone. But, that's just my opinion based on comparing my own equipment to other much more expensive playback systems. That's not to say I haven't heard a vinyl front-end that sounds better to me than my own. I have, but it didn't cost more than $20,000.

I've been making hi-res digital recordings of vinyl since I bought my first DAT recorder in 1991 and I fully understand and appreciate how accurate hi-res digital can be in capturing the sound of vinyl. Therefore, I have no doubt that Michael Fremer's needle drops in his comparison test of nine cartridges are accurate and representative of the actual sound quality of those cartridges including his own ultra expensive vinyl front-end. Of course, your opinion may differ from mine, but it's not because I don't have direct experience with other ultra expensive vinyl front-ends.

To each his own! YMMV, etc, etc.

Thanks,
John Elison

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