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You KNOW IT MIKEY WANTS TO JOIN THIS CONVERSATION

I love it when so called aficianados of the el34 always spout off about how the el34 has the sweetest midrange and its much better than the 6L6 and this was said by a couple fly by night reviewers also..
They never mention which version of the 6L6 they mean whether it be a 6L6g or 6L6gc or 6L6gc black plate not to mention all the varieties of the 6L6 family of tubes such as the WE 350b, 5881,the kt66,the el37,the 807,and many others.
I find many times when they compare an el34 to a 6L6gc,its done in an amp that had tranformers optimized for the el34 and not the 6L6gc.Thats not a fair test.
Now if you take a heath w5m with the peerless 16309 trannies,that would be a good test for a 6L6gc tube type.The citation five would be another good one not to mention an upgraded mac 240 or knight KB-85.
The el34 only has two versions that I know of and thats the el34 and the american 6CA7 which to me is more like a kt88 as far as sonics but not quite.
Some audiophiles have programmed their minds to sucuum to the thinking that since guitar players are always tooting the 6L6,it couldn't possibly be a true audiophile purist tube..WRONG!!!
That tube has been around since the 30s and used longer than any beam tube and it has 70 plus years of refinement with no interuption of production since its inception.I dont know of any semiconductor or tube that holds that record.
The curves are extremely linear and although its harder to drive than an el34,it also produces more power than an el34 with a lower B+ to boot.
The black plate type 6L6g or 6L6gc to me sound best..THe el37 and kt66 and WE350b can also be had in black plates.I find the mids and highs to be much more elegant and luscious when in the right application.


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