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Re: What makes a good jazz singer?

Former Supreme Court Justice Potter Stewart said of pornography that he couldn't define it, but knew it when he saw it. I think something similar could be applied to "jazz singer", a term which could readily be applied to the likes of Louis Armstrong, Red Allen, Jack Teagarden, Doc Cheatham, Billie Holiday, Ella Fitzgerald, Carmen McRae, Sarah Vaughan, Jimmy Rushing, Joe Williams, Shirley Horne, Mark Murphy, Jackie Paris, Chris Connor, Helen Merrill, Anita O'Day, Sheila Jordan, Carole Sloane, Lambert, Hendricks & Ross, Mary Stallings, Betty Carter, etc., etc., etc. (Not being included in this list does not mean I don't think others qualify.) Although not all of them were/are jazz singers all the time-some crossed over to popular music on occasion, others to the blues-it would be difficult to say these were not great jazz singers. And then there is another group, headed by Bing Crosby, Frank Sinatra, Bobby Short, Blossom Dearie, Jackie & Roy, Peggy Lee, Tony Bennett, et al, who are in my humble view primarily great interpreters of great American popular songs, but who often blur(red) the line between pop and jazz. Frankly I could listen to all or any of them all day long without worrying too much about categories. Among current singers, or at least those who seem to get the most attention, I find some of them far too mannered too much of the time for my taste (Patricia Barber, Cassandra Wilson, Dena Derose, Diane Schuur), but I do like Karrin Allyson, Diana Krall (at times), Dee Dee Bridgewater (when she's not overdoing it). Unfortunately I'm not familiar with a couple of those you mention, but I should check them out.

Out of curiosity is there a reason why you mentioned only women? And I'm not so sure I'd rate "scat" anywhere close the need to swing and to interpret lyrics in a personal way.



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  • Re: What makes a good jazz singer? - suretyguy 13:58:20 11/11/02 (0)


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