Home Music Lane

It's all about the music, dude! Sit down, relax and listen to some tunes.

Points well taken...

24.4.255.207

Yes, the riots weren't love riots, but my point was that the people were at least moved by the music, a phenomenon which I wish I saw and felt (if not heard) more often at classical concerts.

I don't mean to come off as anti-classical. I know that when I'm at the symphony I can get very annoyed with peoples' seeming obliviousness to the noises they make. I brought a roommate once who emitted a high-pitch whistle through his nose that was very audible during quiet passages and directly in my ear; it really affected my enjoyment.

For the most part silence is golden at any kind of musical event and I actually wish that symphony audiences were QUIETER in general, but more involved and spirited. As a matter of fact, I think that if they were more involved then they might be more attentive to the little gum-wrapper/whispering/rustilng noises they make during quiet passages. My complaint is that this very passive/uninvolved/quiet comportment is spilling over into jazz where I feel it doesn't belong. Yes, a ballad, there should be practically dead-quiet, but when a soloist does something daring and spectacular and explosive and someone from the audience encourages him vebally, the performance can go to a whole new level and the band can continue to build from there. A dead-still jazz audiences makes for better bootlegs but unspirited music. So while I'm not always advocating noise, I do believe that impassioned, focused audiences make for greater performances, and that the performers can feel an audiences intensity, even if the audience is dead-silent.

Thanks for your perspective.
--david

ps. Please don't judge jazz music's passion based on Wynton's performances, whether classical OR jazz!




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