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It's all about the music, dude! Sit down, relax and listen to some tunes.

OK - but you beg questions in your reply

Solti "barely scratches the surface"? Perhaps you should elaborate to help us discover what we should be listening for in order to know if a given conductor has "scratched the surface".

And, pray tell, what is the "right feel" for Mahler? Is it somehow tied up with the entrance of the organ, as suggested by your post below?

I used to have the Solti/LSO album in my LP days (I think it was my imprint version) - I liked it, but I still felt that Solti's approach was, in general, over energized.

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