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It's all about the music, dude! Sit down, relax and listen to some tunes.

RE: "Overrated:" by whom? By the listeners that flocked for decades to their concerts? By their peers that praised

we have "audiophiles" that place the sound of their systems far above the quality of the interpretation, some specifically stating that only very well-recorded efforts can elevate a performer's rendition to elite

Whoah! I plead innocent to this, if that's what you're trying to imply. I WILL say however, that the SQ of older recordings does present an incomplete picture of the range and nuance that go into a great interpretation. I want to hear what the composer and the interpreter put into the music, and if that's obscured by bad SQ, I'm not a happy camper.

Greatness comes from originality

Well. . . sometimes. Greatness is also the result of mastering the essentials of one's art at the highest level too. To exemplify the point, there are some of Telemann's Cantatas that can easily be mistaken for Bach's. I don't think Bach's greatness lies in his originality - it was more the magnificent summing up of the Baroque era at a very high level of accomplishment (which, nevertheless, didn't prevent some other composers, like Telemann, from sometimes attaining similar heights). Today, we're kind of hung up on originality, partially because of the Romantic notions of the nineteenth century. Even so, I believe there is just a much originality in musical performance today as there was at any other time - it just operates at a more subtle level and thus requires more comprehension on the part of the audience (which it doesn't always get!).


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