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It's all about the music, dude! Sit down, relax and listen to some tunes.

RE: Not familiar with quite a few of these recordings

I have 41 of these 50 discs on individually issued CD's/SACD's. It's hard to know how other listeners might react to these discs if they haven't heard them before. They're classic "Golden Age" recordings, almost all of them stereo - and what sets them apart from more modern recordings is their minmalist microphone techniques (1 microphone for mono, 3 for stereo), which results in a coherency to the sound only matched by other minimalist microphoned recordings from about the same time (with just a few exceptions from later eras). If you're not used to these recordings, you may feel that the microphones are uncomfortably close - I don't mind this a bit. It's a real "conductor's ear" presentation of the music. Some of the earlier recordings used microphones which did not have an ideally smooth response. OTOH, many of these recordings have a magnificent clarity to the bass line, as well as the aforementioned coherency that really makes you sit up and notice!

As for the performances, some of them have, IMHO, never been surpassed. In this category, I would include



Even the performances I haven't mentioned are all more than worthy. Years ago, I had a conversation with Harold Lawrence, who, when I mentioned that Dorati seemed like a less interesting conductor when he wasn't recording for Mercury, told me that Dorati himself agreed with that assessment! IOW, he was aware that there was something, a special quality, that was present in his Mercury recordings, which was missing from his own non-Mercury recordings. IMHO, there really is just something special about these Mercury recordings, even though I warn you that they're not for everyone.


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