In Reply to: Number of Edits in modern Classical Recordings - Part Deux posted by Chris from Lafayette on November 22, 2010 at 15:08:43:
Hi Chris, I'm on a Ballet Orch Recording with Cellist Zuill Bailey, on Telarc. The engineer, who we had worked with before ( NOT Michael Bishop!), literally made us stop every few bars, and he edits his recordings from LOTS of short takes, it's his Thing. Zuill didn't like it all, the stopping was driving him ( and us!) crazy, but the Engineer prevailed. With Pro Tools, literally Anything is Possible. I know the SF Sym does touchup Sessions after their Live recording Weeks, and the Performances are edited from All the takes+touchups. A minute or so of Hall Ambience is also recorded to use when necessary. And Intonation And Tempo are completely adjustable. Maybe the San Francisco Air Symphony is Next!
This post is made possible by the generous support of people like you and our sponsors:
Follow Ups
- RE: Number of Edits in modern Classical Recordings - Part Deux - oldmkvi 08:17:41 11/23/10 (4)
- smaller label, same story - dean man jim 18:31:01 11/24/10 (0)
- Sounds like you needed a PRODUCER who could tread on the engineer - k-k-k-kenny 00:48:03 11/24/10 (1)
- He was the Producer. nt - oldmkvi 06:20:56 11/25/10 (0)
- RE: Number of Edits in modern Classical Recordings - Part Deux - Chris from Lafayette 09:50:00 11/23/10 (0)