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RE: Number of Edits in modern Classical Recordings - Part Deux

Hi Chris, I'm on a Ballet Orch Recording with Cellist Zuill Bailey, on Telarc. The engineer, who we had worked with before ( NOT Michael Bishop!), literally made us stop every few bars, and he edits his recordings from LOTS of short takes, it's his Thing. Zuill didn't like it all, the stopping was driving him ( and us!) crazy, but the Engineer prevailed. With Pro Tools, literally Anything is Possible. I know the SF Sym does touchup Sessions after their Live recording Weeks, and the Performances are edited from All the takes+touchups. A minute or so of Hall Ambience is also recorded to use when necessary. And Intonation And Tempo are completely adjustable. Maybe the San Francisco Air Symphony is Next!


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