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The benchmark for decades has been the Karl Richter, with Maria Stader, Ernst Haefliger and Fischer-Dieskau.

[Excerpt]

Now three decades old, this extraordinary performance remains unchallenged as the recording of choice for those who want a "modern" reading of the work that is at the same time mindful of stylistic issues. Richter's charismatic, passionate, incisive, and pulse quireading is the logical extension of the Ramin approach, but it is more polished, less rough hewn. This vividly recorded account remains the paradigm against which all "modern instrument" performances of the Mass in B Minor must be measured.

[This article appeared in 1989.]



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