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It's all about the music, dude! Sit down, relax and listen to some tunes.

Sorry, I was responding to a post that said

"Removing the "non-musical context" from ANY work by Shostakovich injects disagreement with regard to proper performance."

My point, apparently poorly made, was that whether or not there is or is not an extra-musical context we have an objective guide: the metronome mark.

Shostakovich's marking *forces* the musicians to bring the extra-musical meaning to the fore--it's damn hard to sound joyful at an eighth-note = 176. Whether that results in "blaring and scraping" is pretty immaterial; neither are necessary for the performance to convey the composer's meaning.

There is also a striking spatial metaphor in this ending. The strings are repeating a unison A over and over again, relentless and cold. They are like the bars of a giant cell, behind which the cowering masses "rejoice."



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  • Sorry, I was responding to a post that said - markrohr 10:12:57 03/20/07 (2)


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