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It's all about the music, dude! Sit down, relax and listen to some tunes.

Nothing of the sort, unless one (irrationally) expects critics not only to have heard all recordings...

...but also to have retained the nuances of all performances in their heads.

Some dunderheads have suggested that the hapless critic who preferred Hatto to Haebler (the *great* Haebler IMO) was the most egregious example of all, without realizing that two Haebler sets exist, only the lesser of which was available to that critic, the other being issued only in Japan and therefore presumably not up for review in a UK publication, although it appears (we do not know for sure) the latter was the one B-C employed.

I guess it's just a game of Get the Critic.

clark


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