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Franz Welser-Moest

207.200.116.133

Moest has been Principal Conductor of the Cleveland Orchestra since 2002 and is now in his fifth season. I heard the 2006 Carnegie Hall opening nite concert on PBS yesterday, and it was my first exposure to his work.

The man's appeal as a purveyor of music escapes me completely. What I heard was someone obsessed with measure-by-measure tinkering with line and phrasing, almost to a maniacal degree. The orchestra sounded tentative and unsure of itself throughout, just keeping up with the constant and mostly amusical, pointless changes to note values, rhythms, balances and tempi. Moest has the annoying habit of finishing phrases and marking bar lines with diminuendi, favors soft dynamics over loud, holds back his brass frequently and severely, and puts up with a quacky oboe and slack ensemble. Orchestral tone is thin and muted. Every few bars he cuts loose with loud, straightforward playing, usually in finales,which is often completely at odds with what has gone before in terms of inflection and interpretation. Long lines and cohesion appear to be of no concern. I almost screamed in frustration just listening to him.

Perhaps inmates who have heard the man live, or more often than I have, can explain the charm which led to his appointment. Or not.

What a disaster for the once-top orchestra in our country.


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Topic - Franz Welser-Moest - Brian Cheney 19:23:42 02/01/07 (20)


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