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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

I'm glad you understand that the issue is more complex than you and Norrington make it. : )

Why do you think the Dresden 1st trumpet player (Kempe/Strauss) doesn't mind sounding like a Mariachi star yet Bud Herseth doesn't? (Real world examples save the day again!)

I suspect that Elitism, stoicism and Nationalism play a role. But examining those issues would mean extra work in your part. : )

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