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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

Your problem is simple reading comprehension, colored by

a mountain of hubris, and an apparently uncontrollable urge to mischaracterize: example after example of flying off to ridiculous conclusions is what follows.

For the record (or download):I find lists of recordings, I listen to some, I make a determination of which is most appealing. Fairly easy to understand. I suppose I could listen to fifty recordings a day, picked willy-nilly--- but then I'd be the venerable Chris from Laugh-yet(?). Why, next to you, we're all "inexperienced!"

Of course, you do realize that all listeners of recorded material are nothing but followers? Many folks before you have determined the worth of an artist and her interpretation.

I will grant that you are a compulsive-obsessive. And that your personality does not afford you the courtesy to discuss without innuendos, ad hominem, and reducio ad absurdum. Unfortunately, when a conversation becomes such, one is forced to respond in kind.

I am sorry, music appreciation awaits--- and you bore me.



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