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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

Prokofiev - what is wrong with you people! ;-)

Shostakovich had his moments ("Song of the Forests", "The Sun Shines Over Our Motherland", and let's not forget his attempt to write a Russian-style Broadway musical: Cheryomushki - "Cherry Town"!). But even in the cantata genre, Shostakovich has nothing to compare with Prokofiev's "Seven - They are Seven!" or "Cantata for the 20th Anniversary of the October Revolution". And if one considers the Rachmaninoff Second Symphony to belong partially to the 19th century, then the Prokofiev Sixth Symphony is clearly the greatest 20th-century symphony ever composed.

A lot of Shostakovich depends on the listeners' knowledge of the "secret meanings" in his music - like, he was secretly fighting against Stalin, or he was secretly depicting a stupid commissar (with equally stupid music!), or, in the Eighth String Quartet, secretly evoking the KGB knocking at the door. A lot of these secret meanings were thought up ex post facto by others, but this "secret understanding" still makes some people feel knowledgeable about the music. (And, c'mon, Todd: that Shostakovich Sixth Symphony has a finale which is nothing more than circus music!) Not to mention Shostakovich's ghastly re-orchestration of the Schumann Cello Concerto - which makes the original Schumann orchestration sound like an expert discourse on the subject! And every time I have to play that Shostakovich Cello Sonata, I bury my face in my palm and ask, "Why did I ever go into the music field?"

I can't for the life of me figure out how ANYBODY could prefer Shostakovich to an absolute master like Prokofiev, but such is the way of the world sometimes.


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