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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

movie music

The suite to Close Encounters of the 3rd Kind (there are a few, I'm talking about the pure Williams one without the disney interlude) is as deserving wide play as The Sorcerer's Apprentice.


Encompassing the spectrum from non-tonal non-12-tone non-chromatic ligeti-like start and ending with the pure intervals of solfege tonality instruction is an impressive musical history & theory commentary.

And it's damn good sounding.

My opinion: Williams is at least as good a composer as Saint-Saens, who is programmed regularly, and much more versatile.



Edits: 04/22/21 04/22/21 04/22/21

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