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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

Just taking the Budapest string section alone, imho they don't seem very unified in purpose or direction

A great example is Mehta's LAPO strings in their Decca Mahler's 3rd sixth movt vs Fischer's. Heck, even Janowski's youthful Suisse Romande string section seems more collectively comfortable and confident when playing Bruckner.



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