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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

First of all, "toy pianos" would be too modern for, say, "Marais," right? (Not all HIP employs Toy Pianos.)

As for vibrato, (or intentionally bend the pitch out of tune to add "spice"), we've established, with real-world exhibits ad nauseum, that it is employed by many HIP performers and groups every time this perennial thirsty post comes up.

Two "terms" for a school that's been around 70 years, has branched out in many different directions, not to mention HIP instruments are sometimes combined with modern instruments, (hybrid), and HIP style runs the gamut from extreme orthodoxy to a loose, pick and choose style.

I am aware that obsessing over the most extreme elements of any movement is all the rage these days. Less "terms" to deal with. : )


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