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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

RE: But to an audiophile. . .

But one such recording of applause should do.

I notice that sometimes, especially where the endings are not at maximum orchestral force, the conductor will leave his arms in the air as though to lead the audience in silence, and not break the spell, until he lowers his arms.


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