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From Perotin to Prokofiev (and beyond), performed by Caruso to Khatia, it's all here.

Yes - that does sound like a considerable factor

Such "arts councils" and (in the US) foundations operate under the assumption that the constant production of anything different from what we already have (i.e., newness for the sake of newness) must be an indicator that our arts are vibrant and thriving, when, in reality, those organizations operate in an atmosphere of ignorant self-delusion.


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