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General audio topics that don't fit into specific categories.

OK. I get it. I still don't care. I either like music or I don't.

Most recordings are and always have been a studio creation. It either works or it doesn't. Even the great jazz recordings of the 50s had some manipulation such as echo that didn't exist during the session. I don't question that many of today's artist get alot of help in the studio because there voices are simply too thin. I either like it or I don't.
I believe that many can hear the audible effects of polarity. Again, I don't care. If I like a recording's sound that is all that matters to me. You seem, to me, to post about pitch correction so often, as if it is some big discovery. It isn't.


-Wendell



Edits: 09/21/08

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