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Agenda? Sheesh.

Unclestu, I'm just trying to give you the reality of the situation, but you seem uninterested. I've tried to be helpful here, because you have some misconceptions about the topic, as many do. If that's an "agenda" in your eyes so be it.

I never in this thread said that absolute pitch is a "liability" when it comes to playing in tune. The plain words of my posts have indicated that absolute pitch is neither necessary nor particularly advantageous to playing in tune.

On the other hand you have maintained that it must be an advantage, yet with no particularly convincing reasoning.

Meanwhile, statements such as "I believe that they can hear and compensate for the differences perhaps more quickly" demonstrate that you don't really understand how the process works. All musicians--we hope, at least--learn the skill set that leads to good intonation, and at some point the process of playing in tune becomes automatic and instantaneous. At this level you don't hear a pitch problem and consciously decide which way you have to go to fix it and go there; it happens without thinking about it and you make the adjustments instantly, on the fly, in the correct direction. Those with absolute pitch don't get there one bit sooner.

I am relying on decades of experience in actually doing what we're talking about. If you'd like to persist with your "beliefs" be my guest. The reality of the situation--no beliefs necessary--is both different and more complex (particularly with regard to deviations from equal temperament) than you think.


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  • Agenda? Sheesh. - markrohr 06:52:34 02/17/07 (0)


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