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Re: Studio components best for Hi Fi - here's why

I just spent 4 months with a balanced Mogami cable while I searched for and imported an obscure cable from Europe. I found the Mogami to be rolled off at both at both frequency extremes.

Now, since 90% of studios are wired with Mogami, is it any wonder why modern recordings are plagued with fat, boomy bass and hyped, ear-bleeding treble?

And most of the techs insist that there is no difference between cables. Go figure.


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  Kimber Kable  


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