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Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

"I thought the E30 could handle 32 bits, but maybe not some other part of my chain? "

In truth, you need about 20 good bits to provide all the dynamic range found on recordings. 24 is simply the next convenient data size.

I cannot think of any studio that finds the need to record in 32 bits. Converting 24 bit content to 32 bits just pads the data stream.


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