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Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

RE: Jitter

Whoa! I think I threw out my neck watching your post go over my head!

I can't say I "read" your post, as reading supposes some sort of comprehension, but after examining it several times I conclude that Jitter, like Frequency Response, doesn't fall neatly into the category of Distortion. That is, while Jitter is a Distortion, it would be best to treat it as distinct from the types of Distortions normally associated with audio gear. For example, Jitter is not normally an issue with amplifiers.

So timing errors are distinct from other types of distortion. Fair enough. It strikes me that timing errors have always been part of audio. We just didn't call them Jitter back then. Turntables had wow, tape decks had wow and flutter. As you point out with digital Jitter, this "analog Jitter" would also be non-linear and not harmonic at all. And yet even today the golden ears would never describe analog playback as hard, or glaring, or boring and uninvolving, or if they did, they wouldn't blame analog timing errors for the problem.

What is it about digital Jitter that makes it so pernicious? I find it incredible that timing errors within a competently designed electrical circuit could be greater than timing errors created by a moving mechanical device. To the contrary, I suspect the timing errors in an electrical circuit to be much smaller than the ones in analog devices, perhaps orders of magnitude smaller. For example, it's common knowledge that even a cheap electrical watch can have greater accuracy than the nicest mechanical watches. If listeners can dismiss "analog Jitter" why are we so concerned about the much smaller "digital Jitter?" How does the digital domain turn common sense on its head so that a much smaller cause has a much larger effect?





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  • RE: Jitter - Jaundiced Ear 17:11:05 06/02/12 (1)

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