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Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

I'm not smart...

I'm just tenacious and persistent to a fault! ;o)

I did dozens of iterations of the DRC process only to find out I was doing it wrong. Now I am slowly trudging up the learning curve of how to understand it enough to make good use of it.

Christine and others make good points. Clocks are a P.I.T.A. It seems that the best way still might be to have the clock really close to the transport, and slave the transport to the DAC clock, which is in close proximity to the DAC. She also makes a good point about sync lines, and whether or not they employ a PLL. If they do, the only advantage to running the clock in a separate wire would be for distribution purposes. Since we're only going from a to b, this is not an advantage, and the clock can remain imbedded in the data stream.

I really need to do a lot more "learning" and reading about digital audio to understand all this stuff.

I also want to read up on the Lynz "syncro-lock" and what that is all about. Maybe there *is* no advantage (with the Lynx AES16 to Aurora 8) to run a independent sync line and slave the AES16.

Seemed like a good idea. Oh well.

I'll talk to this Tuckers fellow as well. He apparently owns both products!! :o)

Cheers,
Presto


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