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RE: How to reproduce the full dynamics of a scissor cutting paper without clipping

Claude

That's another can of worms which has been discussed here before. While audiophiles who believe in an "absolute sound" have been trying to put more dynamic range into recordings by promoting speakers with a tonal balance noted by J. Gordon Holt as having a tilt towards the bass plus a treble peak, there were others in the popular music end going the other way by cramming in more average energy into the recording. Back in the days when the distortion wars were in full swing in the 80's, transistor amps appeared with THD figures into three digits below the decimal, and they were touted as having distortion so low it was beyond the ability of human hearing to detect it. At the same time the Japanese were building SET amps which had much higher THD but some said sounded subjectively more like real music, but you really had to have horns to get the most out of them.

"...there's always a counter force": Thomas Pynchon

Paul


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