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A Teachable Moment

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Posted on August 5, 2020 at 18:54:58
Luminator
Audiophile

Posts: 7336
Location: Bay Area
Joined: December 11, 2000



Because everyone is home, on weekdays, we set up a table in front of the speakers. There, someone can work or study. Without any prompting, our 12-year-old daughter, Tessa, stood up, and proclaimed, "I've always liked these speakers."



She was referring to the Totem Element Fire, which we've had since early 2014. We pressed her for why, and Tessa answered, "You don't know they're there." She further explained that that was two-fold. One, we smartly got them in the "Ice White" finish, which (a) looks nice, and (b) visually disappears. Two, Tessa said that, no matter where she sits, stands, or lies within the living room and kitchen, the Totem Fires allow her to "see" the music: "And when I see the music, I can [determine] if I should look deeper into it."

This was the perfect opportunity for us to educate Tessa about speakers, and how we came to select the Totem Fire. When Tessa was an infant, we had Totem's smaller The One. When she was able to walk, she would clamber to the stands, and press her ear against The One's woofer [she wasn't tall enough, to reach the tweeter]. As good as The One was, we told her that our 19x15 furnished and crowded room could hold a larger loudspeaker.

Unlike most other brands, Totems are meant to point straight ahead. Thankfully, that means NO messing around with toe-in. It also means that you are not confined to a narrow "sweet spot;" most Totems remain sonically stable, from almost anywhere in the room. And unlike SAs, our household listens from all over the room.

So it came down to the identically-priced Totem Forest Signature (floorstanding) or Element Fire (bookshelf). We did not like the Forest Signature in Cherry or Mahogany. Ideally, we'd want it in Ice White. None of my audiophile friends had or could find the Forest Signature in white. They did, however, have the Element Fire in white. So when one audiophile wanted to move up from the Element Fire, I bought it off of him. Lesson: making audiophile friends not only gets you to share music and experiences, it opens up opportunities to buy used but still very good products for a fraction of their new retail price.




Tessa has always known that we play lots of 80s and 90s popular music, because that is what we grew up with. Her mom and I met in 1988, when we were both attending San Francisco's academic public high school. I was a scrub, but my future wife was a fiery nerd girl. Our friends tried to find music which was good, yet not all that popular or well-known. We'd go out to play team sports. During the pauses, when switching between sports, we'd congregate on the side or on benches. Someone always had a boombox, and that's how we challenged ourselves to learn about different types of music. Over on Rocky Road, you hear me cite rock instrumentals from the likes of Joe Satriani, Marty Friedman, Stuart Hamm, Vinnie Moore, and Yngwie Malmsteen. We also had the obscure Maximum Security, by Tony MacAlpine, and loved "Key To The City." We also told Tessa that our school was weird, in that, if a girl played an instrument, she would be funneled into the orchestra. But if a guy could play an instrument, the staff tried to recruit him for the school (jazz) band. Tessa's mom played violin for the orchestra, and could recognize some of the techniques guitar shredders used, in neoclassical metal.

We also took this opportunity to explain to Tessa that a speaker is at the end of the audio chain. So not only do you have to choose a speaker which matches your room and listening habits, the speaker is at the mercy of everything upstream. So when Tessa thinks that something sounds good, yes, the speaker is putting it out into the room. But the credit goes to the sources, which are responsible for generating the music in the first place. We told Tessa that, if you put a lousy receiver in front of the Totem Fire, all the Fire does is tell you what you're feeding it.




As for the Totem Fire, we do not have a biwire speaker cable. The Fire has enough resolution, that you WILL hear the difference, between the speaker cable going first to the tweeter, versus going first to the woofer. And yes, you can hear differences between the various biwire jumpers you employ.

Tessa may or may not become an audiophile. But we've armed her with information about audio concepts. So whenever it's safe to go over to other homes, she'll know (a) the speaker's role, and (b) that the speaker lies at the end of the audio chain.

-Lummy The Loch Monster

 

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RE: A Teachable Moment, posted on August 5, 2020 at 19:19:39
'When Tessa was an infant, we had Totem's smaller The One'

I see a definite trend here

what Totem do you get when she's 30 and does she chip in?

regards,

 

RE: A Teachable Moment, posted on August 5, 2020 at 21:14:23
Bill the K
Audiophile

Posts: 8385
Joined: June 3, 2006
I am sure you are very proud of your Audiophile daughter. It is amazing a youngster of that age can look into music.

Regards
Bill

 

She's on her own, posted on August 5, 2020 at 21:55:59
Luminator
Audiophile

Posts: 7336
Location: Bay Area
Joined: December 11, 2000
One of my audiophile friends likes to say, "Damn it, Lummy. You're such a bad influence on us audiophiles!" And then, when I started working for schools, he added, "Aw, now you're corrupting the youth!"



I would always pay attention to my students telling me about the music they liked. Although they knew I was into high-end audio, they tended to live in cramped quarters, so they had no use for big speakers, big amps, and big turntables. Quite a few liked to draw, so they were open to audio products sporting prettier aesthetics. If you have the lights on, white-colored speakers can blend in. So watch out if you are walking around. You might not see the speakers! You might stub your toe, or bump/walk into them.

Tessa makes up her own mind. But as parents, we feel like we've done our job, by explaining what each audio product does or does not do. And we never lose sight of audio products being a tool to get into music, shows, news, and broadcasts.

When Tessa was 1-year-old, some of her favorite pop songs included the Hannah Montana theme, the Thompson Twins' "Doctor! Doctor!," the Red Rockers' "China," and The Buggles' "Video Killed The Radio Star." In fact, it was the latter which would draw Tessa to the speakers, then Totem's The One.

If we clear out the room, the stand-mounted B&W 805 Diamond, Joseph Audio Pulsar, and Sonus Faber Cremona Auditor also perform well. The honest audiophile will say that no one model is universally superior (or inferior) to the others. They each have a personality, which must be weighed against one's budget, timeline, room, tastes, associated gear, and other household members.

 

RE: A Teachable Moment, posted on August 7, 2020 at 07:07:48
G Squared
Audiophile

Posts: 8487
Location: Washington, DC Metro Area
Joined: November 16, 2004
Contributor
  Since:
May 23, 2023
Lummy - First thanks for turning me on to new to me music. I am listening through Tony MacAlpine's albums and loving it.

My son and his friends found classic rock from the Guitar Hero video game. They never paid any attention to the music in our house. One day I was playing Heart, Barracuda and my son's friend sat down next to me and enjoyed. My son picked up on one of my favorites Kansas, Carry on my Wayward Son and his interest was piqued. We ended up raiding my unused stack for an Adcom 565 preamp, the amp section of an original NAD 3020. We bought a Schiit DAC, pair of Pioneer BS-22 monitors (since we live near Dennis Murphy he modded the crossover) and Dayton 10 in. powered sub - We made a simple high pass filter for the sub via series capacitor. He likes a bass heavy sound and hangs out close to the sub. His music tastes are wide and I learn new music from him like Dream Theater. Now I just have to kick him out so I can turn his room into my private listening room.








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Gsquared

 

"April Sky", posted on August 7, 2020 at 09:11:24
Luminator
Audiophile

Posts: 7336
Location: Bay Area
Joined: December 11, 2000
In 1987, my friends/classmates initially thought that Tony MacAlpine was a keyboardist. You see, he played keyboards on Vinnie Moore's 1986 album, Mind's Eye. But let's back up for a moment. At the time, San Francisco's Guitar Center was located on, I believe, 9th near Howard. It was there, that posters, promos, and word spread about Prairie Sun up in Cotati being used to record guitar shredders.



We loved and still love Vinnie Moore's Time Odyssey. Here, the keyboardist is not MacAlpine, but Jordan Rudess, who would later join Dream Theater. I met my future wife in 1988. She loved Moore's "April Sky," which is a cover of Bach's "Air on a G String." That's still one of her favorites, and if an audio product screws it up, she'll let you know! She played violin, and said that (a) the neck of a violin is different from a guitar, and (b) she thus couldn't play guitar.



Speaking of Dream Theater and Adcom, at the March 1993 Stereophile Show in San Francisco, I played Dream Theater's "Pull Me Under" on Adcom and B&W Matrix gear in the smaller SF Stereo Plus room. There were only 2 or 3 attendees at the moment, but they all gasped for more! Friends and I (but not my future wife) would later see Dream Theater in concert.



Are you in the DC area? During Spring Break 1993, some of my friends went back east, and got caught in a late hail/snowstorm.

Yes. On account of video games and apps, kids nowadays have a knowledge and mastery of rock music, we could only dream of. When Tessa was in third grade, I picked her up from the after-school program. One of her classmates saw me and said, "Tessa's dad, watch this!" He then pounded three times on the table, and then, on a Casio keyboard, played the opening ten notes of Slayer's "Rain In Blood."



I'm not sure if indoor malls are now closed again. But in SF's Japantown, the lines for food vendors had been short. While eating nitrogen-made sorbet, Tessa observed that there were a lot of couples. Yup, in high school, college, and beyond, her mom and I would meander through J-town, and, among other things, check out the import CDs and foreign audio/music magazines.

 

RE: A Teachable Moment, posted on August 7, 2020 at 12:35:16
sisterray
Audiophile

Posts: 899
Location: Northern Illinois
Joined: October 3, 2007
Contributor
  Since:
April 28, 2012
Lummy -

Excellent piece, as always.

Our daughter has had a steady diet of Schubert, Mahler, Shostakovich, AC/DC, Sabbath, Bowie, Lou Reed, The Velvet Underground, and lots of obscure classical music & straightahead Jazz, with some electric Miles & Sun Ra thrown in, from the very beginning. She's now 13. Start them early. Bowie is her favorite.

When it comes to gear, she doesn't seem to respond, although she loves my Stax & would love a pair. She was not happy when I sold my 207s.

You & your wife have done Tessa a huge favor.


"'Cause when love is gone, there's always justice./And when justice is gone, there's always force./And when force is gone, there's always Mom. Hi Mom!" Laurie Anderson, "O Superman (For Massenet)"

 

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