It's all about the music, dude! Sit down, relax and listen to some tunes.
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The Bach Brandenburg Concertos - Ah! Karajan!
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Posted on March 11, 2017 at 10:22:19 | ||
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Location: SF Bay Area Joined: February 17, 2004 Contributor Since: February 6, 2012 |
The DG Karajan recordings of the Brandenburg Concertos, recorded in 1964, weren't accepted as legitimate even at the time of their original release (at least by some foul reviewers!). However, I have now lived long enough for the insight of these extraordinary performances to become apparent to me, and, yes, touch my very soul! ;-) In music history, it's Mahler (possibly Tchaikovsky, in his Sixth Symphony) who is usually given credit for the innovation of ending many of his symphonies with these long, deeply-felt, magnificent adagios, which now affect audiences so strongly all over the world. But Karajan had the insight to realize that it was not Mahler or Tchaikovsky responsible for this innovation, but rather Bach! For in the last movement of the First Brandenburg Concerto (Menuetto, Trio 1, Polacca, Trio 2), which most conductors (or conductorless ensembles) dispense in about seven minutes, Karajan found the depth in this music to keep it going for an extraordinary 12:16! Of course, that's not quite on par with the 20+ minutes of Mahler's final adagios, but it does show that Bach was the original innovator in ending some of his works with this kind of long, slow, valedictory movement! There are so many wonderful aspects to this set: the use of flutes in the Fourth Concerto, the richness of the multiple instruments to a part in the Third, cellos instead of gambas in the Sixth, the tinkling away of a harpsichord which really knows its place in the larger scheme of things (one report I've read indicates that it was Karajan himself playing, except in the Fifth). . . I could go on and on! Really, little else remains to be said, aside from noting the individual sound (such magnificent tone quality!) of the orchestra from that time - a unique sound which was already being lost under the Abbado regime and only accelerated under the Rattle regime. Just experiencing this kind of tone quality in itself is gratifying and rewarding! (Shout out to those oboes!) As for double dotting in the Overtures of the Second and Third Orchestral Suites (also included in this set - I don't know how they fit it all onto two CD's at these tempos!), surely you jest! |
"that every artist understood for centuries", posted on March 11, 2017 at 16:26:34 | |
Posts: 10583
Joined: April 12, 2002 |
You certainly have a high opinion of yourself. |
Bach didn't write for the peanut gallery. nt, posted on March 11, 2017 at 18:38:06 | |
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LOL! Very true! [nt] ;-), posted on March 12, 2017 at 12:34:57 | |
Posts: 26483
Location: SF Bay Area Joined: February 17, 2004 Contributor Since: February 6, 2012 |
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Sounds like he's talking about Minimilism! nt, posted on March 12, 2017 at 18:58:29 | |
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Joined: April 12, 2002 |
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Klemperer's Brandenburgs..., posted on March 13, 2017 at 07:38:58 | |
Posts: 776
Location: Eastern Massachusetts Joined: December 5, 2006 |
....were recently reissued here: |
RE: Emerson -- I think he was making excuses for his own mind. (nt), posted on March 18, 2017 at 19:04:09 | |
Posts: 1001
Location: Ontario Joined: March 28, 2003 |
n |