High Efficiency Speaker Asylum

Need speakers that can rock with just one watt? You found da place.

Return to High Efficiency Speaker Asylum


Message Sort: Post Order or Asylum Reverse Threaded

From Sublime to Ridiculous

68.36.196.12

Posted on May 20, 2017 at 09:45:32
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
This is the kind of crap that I see at "high end" shows, where you have a 8-9" "woofer" and 1" dome tweeter in and expensive box with kilowatt amplification, generating IM distortion almost as bad as the orginal Bose 901, but paying $50,000 for the privilege or if you are "lucky" to find a used one for "only" $30,000. PUHLEASE!! Gag me with fork!!


http://www.usaudiomart.com/details/649337012-philharmoia-by-jean-nouvel/?utm_source=USAudioMart+list&utm_medium=email&utm_content=email+featured+ad&utm_campaign=649337012

 

Hide full thread outline!
    ...
RE: "IM distortion almost as bad as the orginal Bose 901"..., posted on May 20, 2017 at 10:00:03
Ivan303
Audiophile

Posts: 48887
Location: Cadiere d'azur FRANCE - Santa Fe, NM
Joined: February 26, 2001
Did not see the IM distortion measurements in the link that you posted.

Do you have a link to measurement or did you measure them yourself and if so, how?




First they came for the dumb-asses
And I did not speak out
Because I was not a dumb-ass

 

RE: "IM distortion almost as bad as the orginal Bose 901"..., posted on May 20, 2017 at 10:36:50
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007



Paul Klipsch won a Silver Medal from the Audio Engineering Society. Before that happened (about 40 years ago when I was a kid), he sent me autographed copies of a collection of his papers and his dealer newsletters called "Dope from Hope."

Here's a scan from the AES papers on IM distortion, using the Bose 901, which RAMMED bass and treble into 9 small 1 ohm drivers in series in a small box via an outboard "smiley face" active EQ box.

You can see the gross sidebands that are produced and NOT in the original signal. This is why BIG HORNS RULE when you want low distortion and full dynamics at the "proper" SPL for all music.

 

RE: "IM distortion almost as bad as the orginal Bose 901"..., posted on May 20, 2017 at 11:17:13
Ivan303
Audiophile

Posts: 48887
Location: Cadiere d'azur FRANCE - Santa Fe, NM
Joined: February 26, 2001
Yes, we are all aware of the Bose 901. Most of us never owned them.

Did you measure the speaker that you linked to?

Is your position that all speaker utilizing 8-9 in. drivers produce the same distortion?




First they came for the dumb-asses
And I did not speak out
Because I was not a dumb-ass

 

RE: "IM distortion almost as bad as the orginal Bose 901"..., posted on May 20, 2017 at 12:21:45
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
It's my position on all speakers that use 8" driver as a direct radiator WOOFER, whether sealed, ported, or open baffle, since a 41 Hz. bass would cause severe FM and AM distortion at 2 Khz, where the $50,000 speakers cited. Horn loading would drop that type of distortion by 15-25 db but would also limit the bandwidth, which would further reduce distortion. Back loaded horns being the exception, since the bass is extended by the horn and NOT over excursion by the driver being EQ'd down low. A reasonable compromise by many.


I own a pair of popular "studio monitors" which have an 8" mid woofer and 1" tweeter.but I use them for computer speakers, not for a main system.

Since in my application is bandwidth limited to the upper vocal range and PWK's IM distortion measurements on the drivers included a bass signal, I'm bypassing those issues. Besides I don't intend to listent to my resultant OB speakers at the same SPL as my all horn system.

To quote the late Gene Czerwinski of Cerwin-Vega vame: "Loud is beautiful, if it's clean!"

Which is why I listen to direct radiators at 75-80 db at my sweet spot and 85-90 db with my all horn setup.

My tapped horn sub bass is 3 db down at 18 Hz. and coupled to Danley Synergy horn's dual 12" woofer, crossed at 40 Hz. Together they run flat to 200 Hz. bass detail that is hard to believe, allowing every not to be tracked distinctly and to realize what kind of beater or sticks the drummers use.

People who try to use a single 8" driver from 40-2,000 Hz. are subject to a glaring reminder of the laws of physics. they are also missing over an octave of additional information down below.

Even the venerable Klipschorns need a subwoofer.

 

RE: "IM distortion almost as bad as the orginal Bose 901"..., posted on May 22, 2017 at 08:11:01
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Also, I forgot to point out that the 8" Lowther drivers were specified by Paul Voight and his patents back in the 1930's to work in his ported corner horn, which at the time, bested all other designs.

He was also the first to use Tractrix horns while the rest of the world was hung up on (inferior in many ways) Exponential horns for decades.

The best of direct radiator designs use an ARRAY of drivers (3-4 way with subs) of various sizes to achieve lower distortion and FULL Audio bandwidth. I'm not saying they are worth the money to a DIY guy like me, but to ask FIFTY GRAND for an 8" woofer and 1" tweeter in a fancy box is almost criminal. The guy who's selling one used is just passing on his mistake to some other foolish buyer...........IF he can find one.

 

You fail at the internet...., posted on May 24, 2017 at 15:45:05
Ozzy
Audiophile

Posts: 7599
Joined: September 21, 1999
......links are easy. Even you could do it.


Oz




Don't worry about avoiding temptation. As you grow older, it will avoid you.
- Winston Churchill

 

RE: You fail at the internet...., posted on May 24, 2017 at 18:23:16
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
You fail at adding positive value to this thread.

 

Maybe...., posted on May 24, 2017 at 20:27:48
Ivan303
Audiophile

Posts: 48887
Location: Cadiere d'azur FRANCE - Santa Fe, NM
Joined: February 26, 2001
But it wasn't much of a thread to start with.




First they came for the dumb-asses
And I did not speak out
Because I was not a dumb-ass

 

RE: From Sublime to Ridiculous, posted on May 24, 2017 at 20:39:03
gordguide
Audiophile

Posts: 302
Joined: January 20, 2002
Current measurements of current loudspeakers do not support your conclusion.

Furthermore, I am constantly amazed at people who obsess themselves with products they cannot afford and have no intention of considering if they could afford them. The five-figure and six-figure loudspeakers of the world are not intended for most buyers. I am astounded that I have to say that out loud.

A good deal of these megabuck audio products are purchased by the world's most renowned sound engineers who have the career success to afford them and are not deaf, the rest by the wealthy who, as F. Scott Fitzgerald famously wrote in "The Great Gatsby", "are not the same as you and me".

Prices are set by manufacturers to reflect the R&D and the expected sales volume, which in the case of many of these products, number less than 10 copies worldwide. The technology trickles down to the point where the affordable speakers we buy today were once the tech of the megabuck speakers of a decade ago, now selling in volumes commensurate with a lower price point.

That is not a bad thing.

I fail to see the problem. I do wish I had your life, where you have no problems of your own to fuss over and can instead solve the problems of the stupendously wealthy. Try to get a consultant's fee, as that's clearly your business; and then justify your client's spending that money on what amounts to nothing at all, surely a poorer value than getting some music out of the deal.

Unlike most people on Earth, I have had the privilege of speaking directly with Mr Paul Klipsch, a rare privilege indeed as he was somewhat a recluse. You do not need to educate me on his philosophy and approach to loudspeaker design. He was a proponent of low distortion horn loaded systems, but recognized that a piston cone woofer can offer low distortion under the right circumstances, and incorporated such in his otherwise horn loaded offerings. We have six decades of applied research since the Heresy was introduced to help us achieve better results. And yes, I do have and have read every "Dope from Hope" newsletter that came out of his Arkansas office.

And I can say confidently that you are misrepresenting his feelings about the subject, not to mention taking an easy shot at the original 901, (not even the moderately linear Series III model, the first one to actually gain a favourable review in the audio press and which incorporated proprietary drivers).

The first 901 was a terrible speaker overall that was not even Dr. Bose's own idea; he bought what became the Bose Corporation's flagship product and founding audio offering from another, as a revenue stream investment for retirement. Which he did quite nicely, partly because he famously sued anyone who published unfavourable reviews.

 

If you learn just one thing...., posted on May 25, 2017 at 03:48:58
Ozzy
Audiophile

Posts: 7599
Joined: September 21, 1999
....my work here is done.....




Don't worry about avoiding temptation. As you grow older, it will avoid you.
- Winston Churchill

 

RE: If you learn just one thing...., posted on May 25, 2017 at 08:50:20
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Well, then, that means you are not a good teacher.

The best way to learn is by example, and you provided NONE, just useless comments.

 

RE: From Sublime to Ridiculous, posted on May 25, 2017 at 09:29:24
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
"Current measurements of current loudspeakers do not support your conclusion."
If you can provide those measurements at a state SPL, then this statement will cease to be just another opinion.

"I am astounded that I have to say that out loud."
It's not an obsession, just an observation, with contrasting data.
I'm glad your own words astound you.

"A good deal of these megabuck audio products are purchased by the world's most renowned sound engineers."
If this is true, again, no real facts given (which products and by whom?). I seriously doubt that a working sound engineer would ever spent 50 grand on an 8" woofer and 1" tweeter when for the same money he/she could get a Wilson or similar product (sublime) that would outperform it, measurably and audibly.

"Prices are set by manufacturers to reflect the R&D and the expected sales volume, which in the case of many of these products, number less than 10 copies worldwide. The technology trickles down to the point where the affordable speakers we buy today were once the tech of the megabuck speakers of a decade ago, now selling in volumes commensurate with a lower price point."
Yes, the drivers have gotten way better, with better materials, agreed. However it's still, moving coils and diaphragms. The LAWS of Physics are still the same.

"That is not a bad thing."
Never said it was, I said that an 8" woofer and and 1" tweeter for 50 grand was RIDICULOUS. Rich guys spend millions for exotic cars, but they would never be stupid enough to pay that for a Ford Escort.

"I fail to see the problem."
Your failure to see it as a simple observation, with the resultant opinion, backed by experience and measurements had nothing to do with your "wish to have my life."

"Unlike most people on Earth, I have had the privilege of speaking directly with Mr Paul Klipsch,a rare privilege indeed as he was somewhat a recluse. You do not need to educate me on his philosophy and approach to loudspeaker design."
To quote PWK's most famous line here, to this I say "BULL$hit." My experience and to all those Klipsch engineers who worked for him over the years and currently, says otherwise. He was not a recluse. He was extremely accesible to anyone who would bother. I was just a kid with Khorns back then and he offered to pick up my wife and I in his private plane, gave me a personal tour of lab, factory, took me to his house and played his recordings for me, took me out to lunch and dinner. Treated me like a long lost grandson. As to his principles, he correctly said that any improvement in loudspeakers would be in detail rather than principle.

"He was a proponent of low distortion horn loaded systems, but recognized that a piston cone woofer can offer low distortion under the right circumstances, and incorporated such in his otherwise horn loaded offerings. We have six decades of applied research since the Heresy was introduced to help us achieve better results. And yes, I do have and have read every "Dope from Hope" newsletter that came out of his Arkansas office."
Assuming that you understood everything he MEANT, which was that the Klipschorn was the optimum size loudspeaker, and that everything else was a compromise with higher distortion. The better results you speak of are still a compromise with the laws of physics.

"And I can say confidently that you are misrepresenting his feelings about the subject, not to mention taking an easy shot at the original 901, (not even the moderately linear Series III model, the first one to actually gain a favourable review in the audio press and which incorporated proprietary drivers)."
I was responding to a request at the time and it was a great example to support my point.
As to misrepresenting PWK' feelings, I put up a relevant portion of a paper he wrote, and was awarded a Silver Medal for. I doubt that he would assign the term "feelings" to any of this. He didn't care about favorable reviews in what he called "the lay press." He was an AES member and read Scientific American. I witnessed all this first hand.

"The first 901 was a terrible speaker overall that was not even Dr. Bose's own idea; he bought what became the Bose Corporation's flagship product and founding audio offering from another, as a revenue stream investment for retirement. Which he did quite nicely, partly because he famously sued anyone who published unfavourable reviews."
I have a copy of Dr. Bose's original patent, and it clearly has his name on it. So my evidence says you are misinformed. PWK's papers on IM distortion measurements and math were applauded worldwide by peers and awarded by a learned society, not some magazine reviewer whose prose have little meaning. He only described the speaker without mentioning the brand and confirmed this to me personally, so this is not secondary information.

On one hand, I'm glad you took the time to respond. On the other hand, your response was full of presumptions and criticisms without any supporting data whatsoever.

 

RE: Maybe...., posted on May 25, 2017 at 20:21:55
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Compared to what?

Besides, you never thanked me for honoring your request by posting PWK's measurement of the Bose 901 as a great example of IM distortion.

 

"that means you are not a good teacher", posted on May 26, 2017 at 06:16:26
1973shovel
Audiophile

Posts: 10117
Location: Greenville SC
Joined: February 25, 2007



Ok, try this.

One sure way to piss off the Inmates is to post an inactive link, especially when doing it correctly is so easy.

 

I didn't ask for PWK's measurment of the BOSE 901..., posted on May 26, 2017 at 07:18:36
Ivan303
Audiophile

Posts: 48887
Location: Cadiere d'azur FRANCE - Santa Fe, NM
Joined: February 26, 2001
You stated that the $30,000 'Philharmoia by Jean Nouvel' speakers in your improperly posted link were almost as bad as the Bose 901.

I asked for some proof of that.

We all know the Bose 901 story.




First they came for the dumb-asses
And I did not speak out
Because I was not a dumb-ass

 

RE: I didn't ask for PWK's measurment of the BOSE 901..., posted on May 26, 2017 at 07:46:38
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
You replied to the thread that had the Bose 901 IN THE TITLE and didn't specify otherwise, so I assumed you were talking about that.

Specific communication without assumptions is a wonderful thing.

I don't know "we all" but IM distortion of the bose 901 is just one example.

As to an 8" woofer, which appears to be both popular and overpriced, maybe people are not sensitive to that type of distortion, which transcends any brand.

AM being worse than FM because of the side bands.

But hey, "we all" already know everything so I'm done wasting my time here. You can all go off and spend 30-50 grand on 4" "woofers" for all I care at this point.

Have a great life.

 

RE: From Sublime to Ridiculous, posted on May 26, 2017 at 08:28:17
Hornlover
Manufacturer

Posts: 2529
Joined: March 8, 2002
A friend (who was a big Bose fan) and I went to a lecture given by Dr. Bose way back in '73 or'74. He talked about the science behind the design of the 901 loudspeaker, and how he came up with the design. It was indeed his design,and was the first loudspeaker produced by the Bose company, and not something he bought from someone else for retirement income.

 

RE: From Sublime to Ridiculous, posted on May 26, 2017 at 08:36:03
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
I agree with this, since I have a copy of his original patent.

The guy who made the long response to my post was misinformed on that as well as the things he said about Paul Klipsch, who I knew personally and spent quite a bit of time with him.

I guess it's like reading a newspaper. If you don't read, you are uninformed and if you do, you are misinformed.

There are many BSers and I'm not one of them.

In God we trust, all others provide data or first hand experience!!

 

RE: From Sublime to Ridiculous, posted on May 26, 2017 at 08:55:31
Bill Fitzmaurice
Industry Professional

Posts: 5371
Location: New England
Joined: October 20, 2002

> "My experience and to all those Klipsch engineers who worked for him over the years and currently, says otherwise. He was not a recluse. He was extremely accesible to anyone who would bother. I was just a kid with Khorns back then and he offered to pick up my wife and I in his private plane, gave me a personal tour of lab, factory, took me to his house and played his recordings for me, took me out to lunch and dinner. Treated me like a long lost grandson. As to his principles, he correctly said that any improvement in loudspeakers would be in detail rather than principle"

My experience with PK was very similar, except when he walked up to me in the club I was playing to introduce himself and ask about my DIY JBL 4560 clone PA it was in Arkansas, so the next day I drove to Hope, no need for the plane ride.

As to all the rest, of course I agree. Only fools with more $$$ than they should have would buy those. Engineers? Please. Shown above is what what Floyd Toole has in his living room.

 

RE: From Sublime to Ridiculous, posted on May 26, 2017 at 09:28:31
Paul Eizik
Audiophile

Posts: 2120
Joined: September 15, 2001
Claude

It's always good to get out PWK's opus Modulation Distortion In Loudspeakers for a re-read. For some reason I had assumed that the Bose 901 came some time after PWK's JAES 1968 paper, but some digging has revealed that the 901's appeared in 1968, and from the description under figure 3 of Pt.2 it seems obvious now that the 901's were the test subjects. It's surprising the degree to which this paper was ignored by the anti-horn Stereophile/TAS audio duopoly where shoe box sized speakers were praised for being "neutral" and "accurate", when AM and FM tests would have shown that they were anything but compared to the Klipschorn which didn't do the "sound stage" as well due to the horn drivers not being in phase. Awhile ago in a Stereophile editorial the author (Steve Gutenberg as I recall) seemed surprised that a live symphony orchestra didn't "image" that well from the cheaper seats compared to the primo seats he was used to getting as comps as a reviewer.

I think you misunderstand the seemingly high prices of some audio equipment because you are looking at the equipment as machines designed to do a specific job which is to play music. Beyond a certain point there are diminishing returns price wise with speakers, and you wind up in the realm of audiophile jewelry where the equipment becomes a place to store and display excess wealth. You wouldn't expect to eat a Faberge egg, nor would you expect to put one under a hen and have it hatch. Now I for one would rather listen to someone's $50,000 two ways than to look over their stock portfolio. And after attending many audio shows I wouldn't expect to walk away feeling envious.

Paul

 

RE: From Sublime to Ridiculous, posted on May 26, 2017 at 16:05:31
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
I like the term "Audiophile jewelry."

Especially to a guy like me who only listens to big black horn loaded commercial speakers with ridiculously low IM distortion and high dynamic range that is ready for any type of recording OR live music.

No WAF, GAF, or jewelry here. Just great sound!!

 

RE: "that means you are not a good teacher", posted on May 27, 2017 at 11:31:36
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Thanks for the tip. I had never used it before.

 

RE: From Sublime to Ridiculous, posted on May 27, 2017 at 12:15:55
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Paul,

One more thing you might find interesting. PWK told me that he got much lower distortion figures with the Bose 901 by putting in a corner backwards, which makes sense (not published). He also debunked, in his writings, that the whole 10/90% direct/reverberant field ratio purported to exist exclusively by the Bose design couldn't be avoided with ANY loudspeaker in a room once you achieved a certain distance from it.

As to "jewelry" analogy (really like that one), as a "wealth repository," it's mostly 99% bragging rights over price paid since the maximum resale value is typically about 60% of what was paid as new, when the "next shiny thing," in Audio comes up at the next show.

But to those who can afford those bragging rights, why not? When it obviously floats their boat at the next cocktail party in their oversized living rooms. Faberge Eggs are a better investment than
direct radiator speakers, since, at the very least, track monetary inflation rather than suffer a 40% loss when they change ownership.

 

RE: I didn't ask for PWK's measurment of the BOSE 901..., posted on May 27, 2017 at 13:10:32
Ivan303
Audiophile

Posts: 48887
Location: Cadiere d'azur FRANCE - Santa Fe, NM
Joined: February 26, 2001
If you take the time to READ the subject line of my post, it should be obvious that what is missing is evidence that the speakers you originally posted about indeed produce "IM distortion almost as bad as the orginal Bose 901".

Maybe they do.

Maybe not.

It's all speculation on your part unless I'm missing something and you've somehow optained measurements of obscure speakers being offered for sale on the internet.

I've never been much of a 'cones and domes' guy myself, having owned horns in one form or another the last 20 or so years. But I don't spend my life screaming and yelling about the prices of audio gear I have no intention of ever owning.

Wouldn't leave much time for anything else.


First they came for the dumb-asses
And I did not speak out
Because I was not a dumb-ass

 

RE: I didn't ask for PWK's measurment of the BOSE 901..., posted on May 27, 2017 at 13:44:25
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Aside from a mild miscommunication on our parts about subject titles, I see no real conflict here.

And no, I did not "scream and yell" as you put it. My keyboard did not have the Caps Lock on, so in the case of internet etiquette, that clearly was not the case, except for a few key words.

Paul Klipsch has also measured what an 8" driver does with intermodulated frequencies. Using the same driver, he did both direct and horn loaded measurements. When I asked him about that he flipped the pages to the collection of his papers on his desk to point out that horn loading that driver produced an extra 15 db of output with about 25 db less IM distortion, which he said made it "approximately proportional." Which was really 10 db better than predicted.

I don't know who you are, or what you do, but now that you said you have been a "horn guy" for 20 years (40 for me) it bears another question:

If you are truly living the dream with an all horn system, as I'm guessing you are, why do you bother with so much time and attention to simple opinion on my part about overpriced IM Distortion Generators?

No matter how fancy the magnet, voice coil specs, diaphragm material, shorting ring, suspension, etc. an 8" driver is made of, the IM distortion can only be as good worse than the best of physics can predict (Beers and Belar), never better.

To further make my point, I have NEVER gotten a straight answer from any engineer or representative from a speaker company about IM distortion of their speakers. Rhetorical question alert: I wonder why?

 

Horns are my personal preference..., posted on May 27, 2017 at 15:49:18
Ivan303
Audiophile

Posts: 48887
Location: Cadiere d'azur FRANCE - Santa Fe, NM
Joined: February 26, 2001
but not my religious faith. 300B amps like high efficiency and JBL 2441's with tractrix horns do that fine.

But then I view speakers as a matter of picking ones favorite compromises. I've heard decent to very good sound from just about every configuration out there from single driver, open baffles, monkey coffins, to large panels.

There are a lot of things that I don't care for in 'high end' audio, but I generally resist the temptation of starting threads just to address them.

Maybe I should rethink that. ;-)








First they came for the dumb-asses
And I did not speak out
Because I was not a dumb-ass

 

Actually, posted on May 28, 2017 at 05:03:49
jusbe
Audiophile

Posts: 5950
Location: North Island
Joined: April 4, 2000
What is your system, if you don't mind? I'd be curious to know what is in it. Thanks.


Big J

"... only a very few individuals understand as yet that personal salvation is a contradiction in terms."


 

You're welcome, posted on May 28, 2017 at 07:30:27
1973shovel
Audiophile

Posts: 10117
Location: Greenville SC
Joined: February 25, 2007
Inactive links seem to be the number one pet-peeve of Inmates here in the Asylum.

 

RE: Actually, posted on May 28, 2017 at 08:41:17
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
I several 2 channel setups currently dormant, in pieces. Klipsch K-402 horns with TAD 4002 drivers on top of a pair of Peavey FH-1 cabinets containing EVM 15B drivers, with Danley DTS-20 subwoofer (all fed by Yamaha SP2060 96/24 active Xover with JBL/Urei, Yamaha, Adcom, Hafler, Dynaco, PASS Aleph J Class A, Crown K2, various chip power amps. and waiting for Hypex monoblock kits with NC400 modules, supposedly the best of Class D stuff out there. I'm sure I missed several things, but got most of it.

Analog setup with old APT/Holman preamp, Adcom 555 Power amp Luxman 121 TT with Ortofon MM cartridge, all driving totally a pair of refurbished ESS/Heil AMT 1D. Also have 2 Klipsch Cornwalls refurbished with newer drivers and Xovers, and 4 Commercial Heresy's with titatnium diaphrgms. A few dozen RAW drivers WMT, etc for future speaker builds and 2 pairs of original ESS AMT with spare diaphragms. Also have a spare pair of Danley TH-50 subwoofers. I just sold Twin 18" subs, 14 Klipsch speaker, including 3 of my customized/ported "Super Heresys"

My current MAIN (best ever) setup is: 2.2/6.2=Front R&L Danley SH-50, CenterFront, SurroundR, SurroundL and CenterRear Sound Physics Labs Unity Summation Apeture horns/TD-1. Yamaha CXA-5000 PrePro main unit with the amazing ESStech 32 bit SABRE DAC chips. One OThorn and One Danley TH-50 Subs Center Front/Center rear, driven by a Crown K2 with mono input. Each of the 6 Danely designed horns has 7 drivers for a total of 42 drivers. One compression driver Tweeter, 4 sealed 5" midranges, and 2 12" woofers per horn box. The main Rnad L dispesion is 50x50 degrees, which keeps the sound focused on the sweet spot and OFF the walls. The TD-1's have a 60Hx40V pattern laying down. The OThorn tapped horn has a 21" B&C driver, and the TH-50 has a monster MTX 15" driver in a tapped horn with a lower Fc. My Bass is +/- 3 db from 18-200 Hz. measured with 1/48th octave resolution at my sweet spot, which is rare and difficult to do.

Oppo 103 for CD 2.1, HDMI out for 6.1 DVD/Blue Ray. Yamaha YPAO "Natural" room EQ for all listening.

At the touch of a button on the remote, I can jump between many modes but my preferred mode is 2.2 for all music, where it's only the Danley SH-50's and the 2 subs front and back that are on. Theater Standard for 6.2.

I think that just about covers it, for this year anyhow. LOL.

I have had 5.1, 6.1 and 7.1 setups for HT, and having that 7th channel in the rear makes ZERO difference on any Blue Ray tested, so it's a waste of money, space, and an amp channel. But, for some rooms layouts, it's needed in case there's a doorway in the center rear. Now that I have 11 channels, I only use 6 but when things shake out I may upgrade to do Dolby ATMOS, but I'll wait my next domicile to do so.

 

RE: Horns are my personal preference..., posted on May 28, 2017 at 09:02:13
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Ah, I see. Thank you for the upgraded clarification.

Horns are my personal preference also, and not a Religion.
There are other things that can sound good when done right. All their different anomalies and positive nuances. All are a compromise of some sort. But it's a fun hobby experiencing them all through temporary or permanent ownership whether they are commercially produced or home built.

I've been building my own speakers and systems since I was 12 years old and I have a technical background. Audio is just a hobby because I really like listening to music in a darkened room with eyes closed, which is a much more enjoyable for of "double blind listening" as opposed to ABX box testing, although I have done that too, since I was an AES member and attended the meeting where the guys who designed the ABX box were demonstrating it.

I'm still amazed at how many great software tools we have available today for for free or very little money to explore endless possibilities without having to make sawdust like I used to do (and still do without as much waste as before).

But no matter how great of a simulation we perform, it's the EARS, the ROOM, and the program material that give us the joy of perceived success. What a Grand Illusion Audio is!!

 

RE: From Sublime to Ridiculous, posted on May 28, 2017 at 09:13:06
Paul Eizik
Audiophile

Posts: 2120
Joined: September 15, 2001
Claude

I first heard the "audiophile jewelry" term used some years ago in reference to Cardas by a guy who sold the stuff. Now you have to admit that there's a certain pleasure in hearing a $50,000 two way speaker system (for instance) at a show that doesn't sound as good as what you have at home which cost considerably less.

Paul

 

RE: From Sublime to Ridiculous, posted on May 28, 2017 at 09:25:14
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
That was EXACTLY my point in starting the thread.

You are the only one who gets it right off the bat.

I appreciate your contribution to my, slow growth, audio vocabulary! LOL.

 

RE: From Sublime to Ridiculous, posted on May 28, 2017 at 09:31:01
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Thanks for the post, Bill. I got your plans for the THTLP, but have yet to make sawdust........Murphy's Corrolary #49: Everything takes longer than it takes."

Although I did have a "regular" THT for a time when I live in Indy, built by Jason in Chi town.

I'm not done reading' Toole's book yet, but he has certainly made some significant contributions to the art, so to speak.

He's now retired, but seems like a down to earth guy in his videos.

Spent a bit of time with Don Keele on a few occasions and he had some good things to say as well.

It's a great time to be a music freak, eh? (I"m Canadian too) LOL.

 

Sounds like..., posted on May 28, 2017 at 17:24:03
jusbe
Audiophile

Posts: 5950
Location: North Island
Joined: April 4, 2000
you have a big house!

Not heard the Danley SH-50 for some time. Planned on trying some but then spent many years traveling for work.


Big J

"... only a very few individuals understand as yet that personal salvation is a contradiction in terms."


 

That explains a lot......., posted on May 29, 2017 at 03:56:23
Ozzy
Audiophile

Posts: 7599
Joined: September 21, 1999
....nuff said.


Oz




Don't worry about avoiding temptation. As you grow older, it will avoid you.
- Winston Churchill

 

RE: That explains a lot......., posted on May 29, 2017 at 08:06:36
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Such as?

 

RE: "IM distortion almost as bad as the orginal Bose 901"... Response, posted on May 30, 2017 at 10:15:05
freddyi
Audiophile

Posts: 3852
Joined: December 6, 2001
I took my Series I sans EQ outside for some graphs - if music is real good, it will survive a 901

look at the response of the rear 8 group vs the single front driver

here's what I got for the EQ box separate


Karlson Evangelist

 

RE: Actually, posted on May 31, 2017 at 03:03:03
KanedaK
Audiophile

Posts: 2519
Location: Brussels
Joined: April 27, 2010
Also using Peavey FH1. How do they sound with EVM15B?
Using Klipsch K33 here
I heard JBL 2226 sounds great in those horns too

 

RE: Actually, posted on May 31, 2017 at 06:25:22
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
As former owner of many LaScalas and even more FH-1 bins, the FH-1 is clearly superior, especially with the stiffeners. It measures and simulates better in Hornresp.

I once used FH-1 bins with a pair of EV 960 horns with DH-1A drivers. The bass bins had K-33's which, to my surprise, went down to 30 Hz (huge cabin gain). without EQ on the bottom end in my basement office. The K-33 pulls up the lower end while sacrificing it's top end, which was easily PEQ'd without an IM distortion penalty with an active 24/96 Digital Xover.

The EVM 15 L or B, as well as a Klipsch K-43 are at the other end of the performance curve, thinning out the bass while getting a much better midrange response, so it's highly dependent on crossover point and what the mid/treble horn does.

Regardless of which woofer is used, the LaScala bin has less response at 400 Hz. by about 3-4 db. The FH-1 is much better in this regard. Both of them peak at about 140 Hz. so using about a 7 db PEQ attenuation at a Q of about 5 or so will flatten them out, but you have to measure with REW or some other software in your ROOM to know for sure.

 

RE: "IM distortion almost as bad as the orginal Bose 901"... Response, posted on May 31, 2017 at 21:08:02
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Yep, ramming treble and bass into a midrange speaker will cause it to SCREAM in agony. 15 db of bass boost is what yields the gross IM distortion in Paul Klipsch's award winning papers.

 

RE: From Sublime to Ridiculous, posted on June 1, 2017 at 07:12:36
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Thanks for that piece of info, which corroborates the copy of his patent that I purchased many moons ago (in the 70's).

As a 23 year forum veteran in 3 different fields, there are always people with strong opinions based on exaggerations, misinformation, innuendo, etc. Much like ALL of the news networks, so much of what is presented is "bad news." Probably because good news doesn't sell.

So it's pretty easy for anyone to fall into the trap of criticizing others, whether it's opinion or fact. It's always difficult to tell the people who think they know from those that do know. It's a lifelong struggle for those who seek the truth from the internet.

So, I admit that my OP was a bit negative, so I deserved certain responses in like kind, I suppose. But my original point has validity since it was targeted to a product with specific driver dimensions.

Now if the original ad I cited had been for a used set of Red Sadurni Horns (best of Axpona about 3 years ago) at $40,000, I never would have made the comment to begin with. Those speakers brought tears of joy to my eyes, literally, a wow moment, having nothing to do with the price tag. A Bugatti Veyron would probably have the same effect on me.

So I do appreciate what it takes to make expensive things for low volume production. So it's more about real VALUE rather than price, eh?

 

Are you also Joe Rosen? nt, posted on June 8, 2017 at 18:20:33
BRab
Audiophile

Posts: 962
Joined: January 28, 2002
nt

 

RE: Are you also Joe Rosen? nt, posted on June 8, 2017 at 18:37:44
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
No. Who is Joe Rosen?

 

RE: Are you also Joe Rosen? nt, posted on June 9, 2017 at 17:08:48
BRab
Audiophile

Posts: 962
Joined: January 28, 2002
Canadian chap with parallel and stylistically similar views regarding vintage tube amps.

 

RE: Are you also Joe Rosen? nt, posted on June 10, 2017 at 18:46:53
claudej1@aol.com
Audiophile

Posts: 817
Location: Detroit
Joined: August 17, 2007
Ah, I see. I really do like the sound of tubes, from 100 Hz. on up (you really need lots of iron go down there), but I just don't like the heat and the maintenance. Even Saul Marantz himself told me he preferred solid state in the bass (I was barely 20 then).

I like Hypex NC400 for the best of all worlds.

 

RE: From Sublime to Ridiculous, posted on June 21, 2017 at 21:52:35
Fitero
Audiophile

Posts: 119
Location: Portland, Oregon
Joined: August 23, 2002



This is Dr. Toole's current setup;

 

RE: From Sublime to Ridiculous, posted on June 21, 2017 at 22:30:31
Fitero
Audiophile

Posts: 119
Location: Portland, Oregon
Joined: August 23, 2002



This is Dr. Toole's current setup;

 

RE: From Sublime to Ridiculous, posted on June 28, 2017 at 11:11:21
Bromo33333
Audiophile

Posts: 3502
Location: Ipswich, MA
Joined: May 4, 2004
"at the very least, track monetary inflation rather than suffer a 40% loss when they change ownership."

Actually the big hit is like with a used car - the person that buys it new generally (but not always!) gets a 40%-50% hit on the price when they try to resell it.

When the next owner gets it, and tries it and sells it, it generally doesn't go through another such price drop. Which is why a lot of "gear churners" buy used.
====
"You are precisely as big as what you love and precisely as small as what you allow to annoy you." ~ R A Wilson

 

RE: From Sublime to Ridiculous, posted on June 28, 2017 at 11:44:30
Bromo33333
Audiophile

Posts: 3502
Location: Ipswich, MA
Joined: May 4, 2004
"I like the term "Audiophile jewelry."

[...]

No WAF, GAF, or jewelry here. Just great sound!!"

Yeah there is an aspect of "if it sounds good, it needs to look good, too" I am totally OK with that. Calling it "audiophile jewelry" I feel is a little derogatory - in that it is discounting entirely if it is any good or not.

I have seen some really nice looking gear (and modest looking), being top notch for performance.
I have seen things that were both pretty looking and nasty looking not being very good.

I totally agree that some things are overbuilt and artificially expensive through Bling. So we're not too far off.


====
"You are precisely as big as what you love and precisely as small as what you allow to annoy you." ~ R A Wilson

 

RE: From Sublime to Ridiculous, posted on June 28, 2017 at 15:14:07
Bill Fitzmaurice
Industry Professional

Posts: 5371
Location: New England
Joined: October 20, 2002
I'd be inclined to think your picture is the older one. It would be odd for him to have downsized the TV.

 

Page processed in 0.039 seconds.