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In Reply to: RE: Well, there's this if you want to go whole-hog. posted by steve.ott@kctcs.edu on April 20, 2017 at 20:29:48
Of course, within the individual volumes I've heard, not everything is performed to the same standard, and some singers are better (sometimes WAY better!) than others. But at least it avoids the desiccated minimalist vibrato sound in the string instruments that one hears on the other complete sets. And that pretty much decides it for me.
Follow Ups:
Because I'm a desiccated fan.
Rilling's choir/orchestra. Sad.
"If people don't want to come, nothing will stop them" - Sol Hurok
keine text
.
"If people don't want to come, nothing will stop them" - Sol Hurok
Well, let's see. I like Glenn Gould's Bach. Modern cellists' suites. Organ transcriptions on piano. Orchestral transcriptions of the big pieces.
You decide.
"If people don't want to come, nothing will stop them" - Sol Hurok
In fact, in my reply to jdaniel above, I agreed with his recommendation of the Ameling/Collegium Aureum (original instruments) recordings of the Bach secular cantatas. So maybe neither of us is quite as predictable as it may have seemed after all! ;-)
Elly Ameling and Collegium Aureum are the last word in today's baroque performance practices. No research can have been more recent or complete.
Neither of us are predictable.
Be safe.
"If people don't want to come, nothing will stop them" - Sol Hurok
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