|
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
152.7.34.150
In Reply to: Re: vocal microphones posted by David Bernhagen on December 7, 2006 at 17:32:15:
I was looking for more generic advice, but I'll be as specific as I can. I'll be using these in a church; the circumstances are extremely variable. Sometimes with a 20 person children's choir, sometimes with a men's quartet, sometimes with a 6 person praise team. The main objective is to improve pickup and recording quality, especially for the children's choirs. Anything would be better than the SM58s I'm using now, but I want to improve as much as I can. Most of our 8 year olds don't sing below 200hz, so the rolloff shouldn't be a big issue. The room is going to change in the near future, and that's something I can't help much. Thanks for all your help.
Follow Ups:
One of the biggest problems with distance miking in a reverberant environment is separating the signal from the echo. I'd investigate Crown PZMs. They work very well in this type of environment. They're still standard equipment on Broadway stages, where they ruled until Countryman and AKG wireless took over, but I doubt if a wireless on each choir member's lapel is in your budget.BTW, if you ever have a chance to see '42nd Street' on Broadway, every cast member has two Countryman mics. One hidden in their clothes or hair for vocals (skimpy costumes, you know) and one in their shoes for the tap dancing feed.
Sell them to a rockster guitar picker who wants to eat a mic. I've been recording choirs for 35 years. I would prefer to invest in a mic that I can change the pickup pattern by changing capsules. The AKG 451 or 461 would be fine as well as the Schoeps. Ray Hughes
"I take you as you are
And make of you what I will,
Skunk-bear, carcajou, bloodthirsty
Non-survivor.
Lord, let me die but not die out." THE LAST WOLVERINE by James Dickey
Just tonight (Dutch time,) I recorded a Bach Cantata; 12 voices, and a 14 piece orchestra on period instruments. I used coincident cardioid's placed just behind and well above the conductor, as the church it was being performed in is very resonant; quite murky, in fact. But listening to the results when I got home it is clear that I was too successful in removing that extra reverberation. Next time I record in that church I think wide cardioid's, or blending in a pair of omni's will get better results. It's not bad, just dry. Hope this information is usefull. David
With the parameters you have given I would go with the unidirectional
Shure mic then
The Shure will give you more coverage area then the cardiods (AKG's)You dont want a couple cardiod mics trying to pic up 20 human beings
in a group singingA couple of the Shures will work well for you
Cardiods pattern is to narrow to have only two of them
The number of microphones is variable; at this point we've been using 2 because no matter how many SM58s we use, the pickup quality still won't be very good unless we have one for every person. I believe we'll probably go with the Shure SM81s; we can mic close enough to eliminate most of the background noise, and the 81s will reduce the number of microphones we'll need to use as we are a bit short on available channels in our sound system. Thanks for all the comments, I've learned a lot just from one thread.
Keep in mind the SM81 has a roll of switch on it
the flat one is the one you want for your choir (flat line)However, if you are picking up rumble or low end sound from
air conditoners or fans or something use the sloped selection
to roll off the low frequencyBy all means dont ever be afraid to experiment with placement
and settings
Click the link below and when your on the page click on microphone
university
Click on stereo techniques
Helpful for mic placement techniques
| ||||||||||||
|
This post is made possible by the generous support of people like you and our sponsors: