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In Reply to: Re: I have the Ancerl 1966 LP and radio broadcast from the 80's on this work posted by Todd Krieger on May 8, 2007 at 04:12:13:
it seems Cleveland may survive as one of the best in the world, even in spite of these changes. Judging on one concert is less than ideal.Violins are seated as per European way, as opposed to American way, to "bring out" the 2nd voices and counterpoints, etc. That's what I understood in the past.
Follow Ups:
Did Bernard Adelstein once play in Minneapolis with Antal Dorati?I was checking out some samples on Amazon, and.....
It sure sounds like Adelstein..... Nobody else plays like this.....
- http://www.amazon.com/gp/music/wma-pop-up/B000AC5AZI001018/ref=mu_sam_wma_001_018/104-2016250-8288711 (Open in New Window)
great ears, sir. I have been looking around for just such an example. Reiner Pittsburg, Dorati Dallas then Minneapolis, then back to his home town, Cleveland appointed by Szell.I have a patient who played with him in Pittsburg and at that time, they knew Maazel. She was the first oboe, also as a teen. Went to school with Lorin. Her great quote, "he (Reiner) never yelled at me."
"Violins are seated as per European way, as opposed to American way"I didn't realize they were classified as such. Which is which, may I ask? I'd guess the "European" is the "split" arrangement, because I think Vienna also uses the "split" arrangement..... I never really observed this until recent time.....
from any of the great Europeans, such as VPO or BPO. Cellos center, violins on the side. Maazel had the cellos right with Geber always on that seat with Majeske on the lead concertmaster seat. I heard Cleveland many times at Severance, same. You posted they changed in 1992.I think that there are advantages to each. Since you turned me on to these videos, I now post one (see others!) from a lovely Sarah Chang. go to Meditation, also.
I was so fixated on the soloist, I didn't notice the seating arrangement of the musicians...... [-;
I thought you might like that.I think she's a very winsome and beautiful rep for classical music and I am proud as a fellow Asian of such a young child prodigy and artist, now 26 and "grown up."
Pic from first cd release when she was young. God given talent, but also nurture and hard work.
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