Critic's Corner

Discuss a review. Provide constructive feedback. Talk to the industry.

Use this form to submit comments directly to the Asylum moderators for this forum. We're particularly interested in truly outstanding posts that might be added to our FAQs.
You may also use this form to provide feedback or to call attention to messages that may be in violation of our content rules.

You must login to use this feature.

Inmate Login

By default, logging in will set a session cookie that disappears when you close your browser. Clicking on the 'Remember my Moniker & Password' below will cause a permanent 'Login Cookie' to be set.

Moniker/Username: The Name that you picked or by default, your email. Forgot Moniker?	Examples "Rapper", "Bob W", "joe@aol.com".
Password:	Forgot Password?
	Remember my Moniker & Password ( What's this?)

If you don't have an Asylum Account, you can create one by clicking Here.

Our privacy policy can be reviewed by clicking Here.

Inmate Comments

From:
Your Email:
Subject:

Message Comments

Original Message

This...

Posted by kerr on November 28, 2016 at 11:10:20:
>The design of stereo recording and playback was to create an *aural illusion* of accuracy to that original event from a specific aural perspective. two very very different design goals. And when one fully grasps that idea, that fundamental difference, then one can understand why an obsession with objective accuracy within each link in the audio chain is only valuable in so far as it serves the aural illusion. Then it also becomes possible to understand that in some cases some inaccuracies actually do a better job of creating the aural illusion.<

...is stated about as perfectly as I've ever witnessed. Spot on!