In Reply to: RE: Japanese Zero, Below the belt, at 9 o'clock posted by Triode_Kingdom on August 29, 2012 at 08:13:38:
For 15 years as a recording engineer I heard live unamplified instruments every working day.
I studied their sound. It was my job (in most cases) to capture that sound.
As a tracking engineer my philosophy was to record, as full and accurate as possible, the sound of the instrument as to not limit the mix.
This wasn't always the case depending on who was producing. A lot of producers want each track to be laid down the way (or close to the way) he wants that instrument to sound in the mix.
This is very limiting, one can get "backed into a corner" doing things this way. But the best producers can "see" into the future of a session and this method works for them.
Tre'
Have Fun and Enjoy the Music
"Still Working the Problem"
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Follow Ups
- RE: Japanese Zero, Below the belt, at 9 o'clock - Tre' 08:42:49 08/29/12 (2)
- RE: Interesting - mikeyb 10:38:14 08/29/12 (1)
- RE: Interesting - Tre' 11:51:56 08/29/12 (0)