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Reel to reel, cassette and other analogue tape formats.

SM57's... others

Start with Shure SM57's. Dynamic cardioid mics that do decent pretty-much-anything, but shine on electric guitar and snare, and are surprisingly good on vocals. On ebay often for $30-40 each. Super rugged - practically indestructible.

At a vocal mic shoot-off in the studio, we had all the greats, like the Neumann U47, U67, AKG C24, Lawsens, etc... and we added a 57. It wasn't in the same league, but there was nothing embarrassing about it, especially given its 250-to-1 price advantage.

Other options are the Audio Technica dynamic mics - all good.

The AKG D200-E is another option, though it doesn't show up on ebay that often. It has a similar sound to the 57, but it has 2 capsules in the mic head: the tweeter capsule feeds from the top, and the woofer capsule feeds from the sides/read. This lets you adjust the frequency balance by the angle you put the mic - about 45-degrees for flat, straight-on for highs only, and pointing away from the source for lows only. This makes it a very versatile mic.

Do not get a condenser mic unless you tape recorder has phantom power on the mic jacks, which is very unlikely. Stick with dynamic mics.

WW
"Put on your high heeled sneakers. Baby, we''re goin'' out tonight.


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  • SM57's... others - Bill Way 08:45:10 09/01/15 (1)

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