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In Reply to: RE: Blame the message, not the messenger! posted by Ethan Winer on December 23, 2007 at 11:10:16
Speech research is providing just one piece of the puzzle, the other pieces are to be found here:
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Atal et al., “Perception of coloration in filtered Gaussian noise – short-time spectral analysis by the ear”, 4th Int. Congress on Acoustics, Copenhagen, 21-28 August 1962
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Begault et al. (2004), “Early reflection thresholds for anechoic and reverberant stimuli within a 3-D sound display”, The 18th International Congress on Acoustics, Kyoto, Japan, April 4-9, 2004
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Blauert et al. (1986), “Auditory spaciousness: some further psychoacoustic analyses”, J. of the Acoustical Society of America, vol. 80, no.2, p.533
Blauert, “Spatial hearing”, MIT Press 1997
Bradley et al. (2003), “On the importance of early reflections for speech in rooms”, J. of the Acoustical Society of America, vol.113, no.6, p.3233
Brüggen (2001), “Coloration and binaural decoloration in natural environments”, Acustica/acta acustica, vol. 87, p.400
Buchholz et al. (2001), “Room masking: understanding and modelling the masking of room reflections”, Audio Engineering Society preprint 5312
Burgtorf (1963), “On the subjective effect of sound fields in rooms (backward masking, phantom sources“, (Zur subjektiven Wirkung von Schallfeldern in Räumen (Rückverdeckung, Phantomschallquellen)), Acustica, vol. 13, p.86
Case (2001), “An investigation of the spectral effect of multiple early reflections”, J. of the Acoustical Society of America, vol. 109, no. 5, p.2003
Damaske et al. (1972), “Interaural crosscorrelation for multichannel loudspeaker reproduction” (Interaurale Kreuzkorrelation für mehrkanalige Lautsprecherwiedergabe), Acustica, vol. 27, p.232
Damaske 1967/68, “Subjective investigation of sound fields” (Subjektive Untersuchung von Schallfeldern), Acustica, vol. 19, p.190
Devantier (2002), “Characterizing the amplitude response of loudspeaker systems”, Audio Engineering Society preprint 5638
Everest, “Master Handbook of Acoustics”, McGraw-Hill 2001
Halmrast (2000), “Orchestral timbre: comb-filter coloration from reflections”, J. of Sound and Vibration, vol.232, no.1, p.53
Johansen et al. (2001), “Listening test results from a new loudspeaker/room correction system”, Audio Engineering Society preprint 5323
Kishinaga et al. (1979), “On the room acoustic design of listening rooms”, Audio Engineering Society preprint 1524
Koenig (1950), “Subjective effects in binaural hearing”, J. of the Acoustical Society of America, vol. 22, no. 1, p.61
Kuhl (1969), “Different conditions during listening in rooms and electroacoustical transmissions“ (Unterschiedliche Bedingungen beim Hören in einem Raum und bei elektroakustischen Übertragungen), Rundfunktechnische Mitteilungen, vol. 13, no. 5, p.205
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Moulton (1995), “The significance of early high-frequency reflections from loudspeakers in listening rooms”, Audio Engineering Society preprint 4094
Olive et al. (1989), “The detection of reflections in typical rooms”, J. of the Audio Engineering Society, p.539
Rubak (2004), “Coloration in room impulse responses”, Joint Baltic-Nordic Acoustics Meeting 2004, 8-10 June, Mariehamn, Åland
Salmi et al. (1982), “Listening room influence on loudspeaker sound quality and ways of minimizing it, Audio Engineering Society preprint 1871
Salomons (1995), “Coloration and binaural decoloration of sound due to reflections”, Thesis, Delft University
Schmidt et al. (1973), “Influence of directional and temporal diffusivity of early reflections on spatial impression” (Einfluß der Richtungs-und Zeitdiffusivität von Anfangsreflexionen auf den Raumeindruck), Wissenschaftliche Zeitschrift der Technischen Universität Dresden, vol. 22, no.2, p.313
Schroeder (1979), “Binaural dissimilarity and optimum ceilings for concert halls: More lateral sound diffusion”, J. of the Acoustical Society of America, vol. 65, no. 4, p.958
Schubert (1966), “Detectability of single reflections for music” (Untersuchungen über die Wahrnehmbarkeit von Einzelrückwürfen bei Musik), Technische Mitteilungen RFZ, vol. 10, no. 3, p.124
Seki et al. (2003), “Coloration perception depending on sound direction”, IEEE Transactions on Speech and Audio Processing, vol. 11, no.6, p.817
Seraphim (1961), “Detectability of plural reflections for speech” (Über die Wahrnehmbarkeit mehrerer Rückwürfe von Sprachschall), Acustica, vol. 11, p.80
Somerville et al. (1966), “Recent works on the effects of reflectors in concert halls and music studios”, J. of Sound and Vibration, vol.3, no.2, p.127
Theiss et al. (1996), “Loudspeaker placement for optimized phantom source reproduction”, Audio Engineering Society preprint 4246
Tohyama et al. (1989), „Interaural cross-correlation coefficients in stereo-reproduced sound fields”, J. of the Acoustical Society of America, vol. 85, no. 2, p.780
Toole (2006), “Loudspeakers and rooms for sound reproduction – a scientific review”, J. of the Audio Engineering Society, p.451
Zurek (1979), “Measurements of binaural echo suppression”, J. of the Acoustical Society of America, vol. 66, no.6, p.1750
As I said, it's easier to blame the messenger!!! Feel free to provide evidence in the same league that proves your case.
Klaus
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