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Re: Um, didn't quite follow the bat $h!t and Wall St. stories, but

Dear RW
You have not quite got it have you. What are your customers listening to your output on. CD Sky Digital Mp3 if its a film DVD.
All of these systems have limitations and until they change those the job of the audio recording professional is to make a product that sounds
A) Good in the A&R department office. (44.1Khz) You might get more work.
B) To the CD review page editors home system (44.1Khz) the record company sent him a CD
C) to the end user. He bought a CD(44.1khz) and did not return it as faulty.
I think anti aliasing filters are about as good as they are going to get right now. So I will work with what actually exists. When audio designers produce a system that finds a way into the A&R Office
I will have to think about that.
Meanwhile I will continue working on the work I have at hand. I am making a recording with Neil Innes for the cartoon series The Mistermen in which all the audio is made from sounds emanating from either bodily functions or percussion trom belly slapping. Most of the sounds of the hip hop drum loop are.
A) Kik low frequency artificial trouser trumps
B) Snare gated raspberry and mouth pop slaps.
C) Hi hat various mixed sneezes
Not sure of the frequency response is as for some reason I forgot to use waves plug in paz freq in the master inserts.
Regards.•:*¨¨*:•. ¸¸.•´¯`•.Mark Harwood, Engineer Springvale Studios
PS I have never had a booking for a dog whistle ensemble.
maybe that’s where I am going wrong.

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