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RE: The good, bad, and ugly: reporting back to seger, Ryelands, cics, and Dawnrazor . . .

DBB wrote:

. . . before the changes, I found many recordings too detailed and sometimes fatiguing.

Thanks for your interesting report. I'm pleased you're happy with what you've done and think your approach is a good one - take from cMP2 what suits you and the way you like to listen.

That said, I'd argue that, if detail in a recording is "fatiguing" (and I know exactly what you mean), it's a sure sign that reproduction is not (or in your case was not) optimal.

Detail in music is not inherently fatiguing - we don't normally ask a string quartet to sit behind a curtain in case we get tired (though I've been minded to ask for a hat if sitting near the front when a tenor gets carried away).

At most venues, the nearer the band you get to sit, the more you have to pay. It can be tiring because it's too loud but that's a different matter. Venues such as London's Wigmore Hall are treasured by music lovers for their ability to make every nuance audible even to those sitting at the back, next to the sides, behind the dame with the big hat, etc.

However, I agree with you about spurious detail spoiling some recordings. Alas, when you improve your reproduction, it does seems that some favourites lose a little of their appeal.

But others take their place. The number of CDs that have "come alive" for me since I built a decent PC-audio system is very gratifying.

Dave


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