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RE: There's been a lot of crowing about this in the audiophile press

Here's the test I would say is significant:

Bunch of people listening to music. At a party, maybe. Having a drink, telling jokes, whatever. They're listening to 16/44.

Someone switches the music to 24/96. People stop and say, 'wow, what happened to the stereo, it's sounding much better'.

That would be a meaningful difference. Not a series of tests with people listening intently to sample a and sample b and saying if they think they can hear a difference.


'A lie is halfway around the world before the truth gets its boots on'. -Mark Twain


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