Home Hi-Rez Highway

New high resolution SACD releases, players and technology.

RE: HD Tracks

The plain fact is that most masters that are delivered to the record companies are NOT hi-rez in the first place. They are 16/48 (resampled to 16/44.1 for release). That is going to be the case for most music originating over the past 20 years or longer. Higher sample rate material is usually a digital conversion from this and contains no additional information. However they can sound better to the consumer due to the ability to use digital filters for reproduction in their home equipment that act further outside of the audio band and more gently than the conventional brick wall at 22.5kHz.

More recently some studios are mastering in 24/96 but comparatively few and far between. The existence of higher sample rate mastering is still very limited. Also many pop recordings these days are produced using home studio equipment which may not always deliver optimum results by audiophile standards even if high resolution rates are chosen. Again they will probably be delivered as 16/48 files to the record company.

It is more likely to get true hi-rez copies of older analogue masters where a new digitised copy at, say, 24/96 or higher has been produced specifically for the audiophile market. However it is worth bearing in mind that such old recordings have their own limitations, noise and limited high frequency response being typical.

Most SACDs currently available of modern recordings are also made from lower resolution PCM masters upsampled to DSD. Even those recorded using DSD originally have to be converted to lower resolution PCM for editing and are then resampled to DSD for the SACD release. The best situation is when the PCM conversion has been made to DXD ( 24/352.8)for editing but this remains less frequent currently.

So it doesn't surprise me at all that some HD tracks sound the same as the CD.



Edits: 09/02/15 09/02/15 09/02/15

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