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RE: Some further points

I don't think the semantics are particularly important. It doesn't matter if someone is a professional, an amateur, a journeyman, a wordsmith, or a word monkey. It doesn't matter what percentage (if any) of their total income is earned through audio reviewing.

What does matter and what is important is that they are sufficiently skilled, experienced, and disciplined to conduct their work to the best of their abilities, and to a standard that can be held up against their peers.

If a writer achieves this, their words are worth reading. If they don't, they aren't. That holds whether they write 1,000 words a year, or 10,000 words a month.

-

Editor, Hi-Fi Plus magazine, Lun-duhnn, Ingerland, innit

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