Critic's Corner

My guess is that most audio writers have ruined a few napkins

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Doing the math on on-dead-trees audio magazine startups.

And as far as I can tell, it just doesn't work.

My educated guess is that Stereophile and TAS got in early enough and got well-enough established, and, most importantly, either didn't make fatal mistakes or found people to bail them out, and here we are.

AUDIO magazine was a great magazine, in its day. Tom Miiller's and Myles Astor's magazines were valiant efforts. Listener had its quirky charms. I miss them all! I even miss Stereo Review, from its golden days. Pick up a 1970s Stereo Review issue on eBay. There have to be at least 100 records reviewed per issue. Yes, the equipment reviews were jejeune, we all know that. But neither TAS nor Stereophile ever covered the breadth of recordings Stereo Review did.

I am speaking only for myself here, but, it looks to me as though a few generations (brief ones) of big-city management have painted Stereophile into a corner. Once a subscription costs $12, it's hard to get $28 again. At least hard to keep the circulation numbers up. If TAS is going down the same path (dirt-cheap subscription offers), IMHO that's too bad, it's a one-way path as far as I can tell.

Nothing lasts forever.

Cheers,

JM




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