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RE: Sound coming from outside of the soundstage

I think the QOL concept is different from what you are referring to in cross channel cancellation tricks.

It may have similar end results to a degre when used in stereo, but it is not what the target is. The application is identical in mono too and seems to have the same result - other than stereo effects.
The idea is to let phase correlated material that would otherwise cancel out as it comes out of a speaker to remain. The signal that is created and added to the otherwise unaltered original is the sum of phase shifted freq bands supposedly in 45 deg increments. the result is that you have particular phase correlated content be reinforced and that signal added back in to the original, so you have 1db and up to 5db higher output as some material that would have been cancelled coming out of a speaker is not cancelled.


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