Posts: 761 Joined: October 10, 1999 Contributor Since: September 4, 2000
Sonically it's a matter of taste, but my Soundsmith SMMC 2 tracks circles around any Grado I've ever owned. The caveat here, however, is that I never even got to the Sonata price wise, so I don't know if tracking improves further up the food chain.
RE: Soundsmith and Grado?, posted on May 11, 2012 at 12:42:31
Posts: 1749 Location: San Francisco Bay Area Joined: April 5, 2000
The Soundsmith cartridges are more light up, more alive, more detailed, and incredible trackers. The Soundsmith is more in character with the B&O or the ADC XLM cartridges.
The Grados are warmer and more organic sounding, I track playing well, and are very musical. The choice is going to be in the sound you prefer and the tonearm and preamp you're using. The Soundsmith excels in a very Low mas arm though it works quite well with any low too medium mass arm.
Beatnik's stuff http://web.me.com/jnr1/Site/Beatniks_Pictures.html
Have you noticed that all the acrylic-body Soundsmith carts are history?, posted on May 11, 2012 at 14:16:15
Posts: 836 Location: Southeastern US Joined: November 28, 2007
Just looked at you profile and see you have the new Well-Tempered Labs Amadeus table. I was under the impression the Dynavector cartridges were a perfect match for the new Amadeus table. Any reason you are not using a Dynavector cartridge?
RE: Soundsmith and Grado?, posted on May 12, 2012 at 08:49:09
Posts: 761 Joined: October 10, 1999 Contributor Since: September 4, 2000
Well, truth be told, money. I had a nice low mileage SMMC2 on my Spacearm and buying the Amadeus stretched the budget as is was. A Dynavector will enter the picture in good time. For the record, however, the SMMC2 sounds pretty good on the Amadeus.
The EMT also works great in the Well Tempered. NT, posted on May 12, 2012 at 09:32:59
Posts: 761 Joined: October 10, 1999 Contributor Since: September 4, 2000
Seems a lot of cartridges work well with this arm. As simple(and puzzling for some) as it looks, it's a pretty marvelous piece of engineering. The proof is in the listening.
I understand! :), posted on May 12, 2012 at 19:59:33
Posts: 3392 Location: North Shore of Boston Joined: March 7, 2003
Sonically, they're at almost two opposite ends of the spectrum. The Grado midrange is spectacular, and pretty much no other company touches its quality. There is a juiciness, a reach out and touch, tactile quality you have to hear to believe. Instrumentalists and vocalists seem like they're in your room. The problem with this is it comes at a cost. Grados are not the fastest nor the most detailed at the frequency extremes. As you go up the price ladder, you'll get better at the extremes. To my ears, the Master is where you really start to get everything, but there will be other cartridges that get a little better rhythmic grip on the music.
Soundsmith cartridges, to my ears, don't get the midrange right, lacking in depth and detail. What you do get is a more overall balanced cartridge whose best quality is rhythm and transient response. To me, though, they lack heart and humanity, something Grados, even the cheapies, have in spades.