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Acoustics for different room types

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Posted on October 27, 2009 at 14:20:02
Brad225
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Location: Tampa
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I am just starting to design a new 2 channel music and HT room. The room will be designed around the music with the HT along for the ride basically. I have read that the acoustics you would do for the 2 types of rooms are different. Can any of you tell me the difference or direct me to information that would explain this. Thanks.

RE: Acoustics for different room types, posted on November 21, 2009 at 08:18:58
Brad225
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Location: Tampa
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Ethan and David

Here is my next idea for the room. This room would be 12" lower than the other requiring 1 step. I would prefer pocket doors but that is not mandatory. I would make frames on hinges for either absorption or diffusion to close over the doors when listening.

New questions.
I can have a flat 10' ceiling or 11' with sloped sides which would be better.

Is there any major benefit to something other than 6" of fiberglass in the walls behind the drywall. I have no problem with what ever on wall acoustical treatments are necessary.

I was thinking of some type of crown molding with a picture rail attached to it to hang treatment and be able to move them anywhere on the wall I needed to tune the room. They could then be permanently mounted if this would improve their function once the final placement has been determined.

At what point then do you first test the acoustics of the room? Do I complete it with what would be considered the normal amount of absorption and add from there or is there some benefit to doing it before any treatment?

I would prefer to have floor to ceiling bookcases on the wall behind me either side of the doors. This would be for storage of music and books.
Absorbing panels/bass traps as the back of the storage would now be a problem. Is this a good or bad idea?

Thanks









RE: Acoustics for different room types, posted on October 28, 2009 at 13:45:34
David Aiken
Audiophile

Posts: 5109
Location: Brisbane
Joined: September 25, 1999
Ethan's right that the usual view is that music rooms should be livelier than HT rooms and I probably tend to agree with that view. There are standards for mixing audio for films and video and the whole audio mastering process for video is much more standardised than it is for music. The studios in which audio for video are mastered therefore tend to have much more uniform acoustic properties than studios for mixing music and you would need a "deadish" room in order to replicate what the mastering engineer heard in a video mastering facility.

Having said that, probably the big issue for me with HT surround sound is imaging accuracy. You want the noises to come from the right spot and you don't want a back of room to front flyby to sound like it's going from the rear of one side of the room to the front of the other.

With music, however, it can be a very different matter. Some people like precise imaging and soundstaging and others abhor them, saying you don't hear the music that way in a concert hall. If you like good imaging, you can get good results for both music and HT with the same room and acoustic treatment, but if you don't want imaging and you want a more concert hall sort of presentation for music, then you're chasing one goal for HT and a very different goal for music and you aren't going to be successful in getting both with the same room and acoustic treatment.

So the big thing is to be clear about what you want in terms of results for music and for HT. If it's the same, then no problems. If it's different, then you're faced with choosing one result over the other and putting up with the outcome that delivers for the times when you would prefer the other outcome, or running separate systems in different rooms, each optimised for that room's purpose.

What I'd recommend you read is Floyd Toole's book "Sound Reproduction" which is about acoustic treatment and listening rooms, especially multi-channel listening rooms though he has a fair amount to say about stereo along the way. He's definitely interested in accurate imaging, however, and his recommendations are not what I would suggest if you want to treat a room for music listening and achieve a result which downplays imaging.



David Aiken

RE: Acoustics for different room types, posted on October 28, 2009 at 12:30:06
Ethan Winer
Manufacturer

Posts: 1554
Location: New Milford, CT USA
Joined: December 3, 2003
The "conventional wisdom" is that a 2-channel room should be more live sounding than a home theater room. But I mostly disagree with that philosophy. After all, movies have music too!

How a room should be treated depends a lot on its dimensions. Generally, a small room needs to be more dead sounding than a large room simply because small room ambience sounds pretty lousy and boxy.

In my view, a listening room should aim, first and foremost, to be neutral sounding. No obvious resonance or echoes, or comb filtering, and with bass peaks and nulls reduced as much as possible. Once you've achieved that, the room will sound excellent for everything you play. I use my living room for both stereo music and video movies / TV. My room is very well treated, and I'm totally satisfied with it for all uses. I even mix music in surround there sometimes because my main home studio upstairs has stereo playback only.

--Ethan

RE: Acoustics for different room types, posted on November 13, 2009 at 12:59:49
Brad225
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Location: Tampa
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This drawing shows basically what my current music/TV room is like now. My wife would like to have this room be more TV/living room and add on to it for my 2 channel listening.

Even though I sit close to the back wall with acoustic panels behind me I am quite happy with the sound. If I am building a space for my music I would like to have more room between the speakers, behind the speakers and behind my listening position.

RE: Acoustics for different room types, posted on November 13, 2009 at 13:05:48
Brad225
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Location: Tampa
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This drawings show my first idea of how the space would attach in a floor plan. I will have the ability to create whatever wall surface and acoustic treatments necessary for absorbtion or reflection.
The width of the room is flexable but I would rather not make the total length any less if I can help it.

RE: Acoustics for different room types, posted on November 13, 2009 at 13:34:07
Brad225
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Location: Tampa
Joined: December 25, 2006
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This is where I may have to make some changes and am curious what anyone thinks. I would like to raise the ceiling in the addition by 12". The area that appears as a flat ceiling is framing to tie the rafters together. It will also create a space to run duct for A.C. and for recessed lighting. It doesn't need to be totally covered with drywall but enough hard surface to have A.C. outlets and lighting.

Is having 2 different ceiling heights the kiss of death for acoustics? I would end up with a 9' ceiling based on the current music room after I add the collar ties.
The only way to increase the ceiling height is to drop the floor in the current music room. This is possible as it's open to the exterior below and I need to do work on the framing anyway, though I would prefer not to if possible.

So my question. Is the space I am showing here a shape I should consider? I have run the measurements of 39.75' x 21.5' x 9.5' in Ethan's room calculator program and it didn't look real bad to me but there are other things I can't allow for with the room. I will have the ability to do whatever I need to for room treatments for acoustics.

RE: Acoustics for different room types, posted on November 13, 2009 at 13:33:03
David Aiken
Audiophile

Posts: 5109
Location: Brisbane
Joined: September 25, 1999
It looks to me from that drawing that you're going to have 2 systems in the room, one facing down the long dimension and the second, at the other end of the room facing across the short dimension.

You are going to have reasonably good symmetry for the first of those systems, the one facing down the long dimension. The second system in the drawing has an asymmetrical setup with a right wall close to the right speaker and a left wall a long way away to the left. That will produce an unbalanced soundstage and stereo image. You can correct for that with acoustic treatment, in fact I've had to do that sort of thing in the past in a similar room, but that's going to end up with treatment in the first listening area that's not going to be placed symmetrically for that system and may very well not be where you want treatment for the sound of that system.

Running 2 separate systems in that kind of layout in the one room is going to complicate treatment considerably and is likely to make it difficult to get the best results with either system. I'd recommend either using the same system for both HT and music, and running the system in stereo only for music, or using 2 different systems in 2 different rooms, one for HT and the other for music. If it were me I would definitely not run 2 different systems in the kind of layout you've drawn in the same room.



David Aiken

RE: Acoustics for different room types, posted on November 13, 2009 at 13:41:14
Brad225
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Maybe I should clarify a bit. My main interest is in the 2 channel music listening. If the layout and treatments will not compromise that I can live with a compromise for the separate system for multi channel for TV. Am I describing this correctly.
The two systems would never be used at the same time either.

RE: Acoustics for different room types, posted on November 13, 2009 at 15:03:54
David Aiken
Audiophile

Posts: 5109
Location: Brisbane
Joined: September 25, 1999
I never thought that the 2 systems would be used at the same time.

The simplest and best compromise in my view is a single system. Make the front channels your stereo music system. Use an AV receiver for the HT system and pass the signal for the front channels from the receiver's pre outs to an input on your audio system that provides a HT bypass function. That way you can use your music system normally without having the HT system on at all. When you use the HT system, the amp for your music system simply works as the power amps for the front left and right channels of the surround system rather than using the amps in the AV receiver for those channels.

The advantages of that sort of setup are:

-room symmetry is maintained for both music and HT

- you can optimise the acoustic treatment for the music system and that treatment will work equally well for the HT setup as well.

- you reduce the number of unused speakers in the room when playing music. Unused speakers can affect the sound since the drivers are going to move with pressure variations in the room and that can affect the sound at some frequencies, usually bass frequencies. You also save on the cost of a pair of front speakers if you don't already have a surround system.

- surround systems take up a lot more space than stereo systems but stereo also benefits from a larger space. Integrating the 2 systems in this way makes the most constructive use of the total space available for both systems.

The downside is that the surround channels may not tonally match the L and R front channels which may be a problem with some soundtracks. You can avoid that by using similar speakers for all channels but if you've got good speakers for the stereo setup, matching them for surround and the centre channel can be expensive.


Treating the room in order to balance that displaced wall for the system facing across the end of the room is going to result in an asymmetrical treatment addition in the system facing down the length of the room. Sure, you can balance that by adding more treatment for that system but treatment for that system will probably also require some treatment in the centre of the rear wall, the right wall for the second system, that you normally would not have or want for that system. I can't see any way of coming up with a treatment strategy that deals with both systems that doesn't include some element of compromise for both systems.

If you integrate the 2 systems as I initially outlined, you avoid those problems. I don't know what sort of screen you're using for HT but if it's a large flat screen and you run into reflection problems from the screen, the simple solution is simply to cover it with a quilt or blanket while playing music. In my view that's going to be much less of a compromise than the compromises that you're going to have to consider if you run the 2 systems as shown in your drawing.

Read a book like Toole's "Sound Reproduction" and/or Everest's "Master Handbook of Acoustics" and take a look at their recommendations for treatment, then try to map those treatments to the layout shown in your diagram and see if you can make the treatment placements for each system overlap. If you can get them to overlap and avoid adding any additional treatment locations for either system while maintaining symmetrical placement for the system firing down the long dimension, then you can have a no compromise solution with the 2 system layout.

If you can't get the treatment locations for both systems to overlap and if you find yourself placing treatment for one system in a location that isn't necessary or ideal for the other, then the sound of that system may well be compromised. If you've got treatment where you wouldn't normally have it for both systems, then the sound of both systems may be compromised. That's the situation I think you're going to find yourself in with the 2 systems set up as shown in your diagram.

Even if you can avoid treatment placements that result in compromised sound you're going to have 6 additional speakers (including the sub) in the room when you play music vs 4 additional speakers if you integrate, plus no extra speakers in the room when you're using the HT setup if you integrate the systems. You get extra space for surround placement and seating if you integrate the systems plus the second system gains the benefit of symmetrical placement in the large space. Those are going to be plusses in terms of sound quality for both systems, even without considering the treatment advantages.

Alternatively, if you have to have 2 separate systems and it's an option, I'd run a wall between the 2 spaces shown in your diagram. That gives you 2 separate spaces in which you can run symmetrical setups and each of which can be treated ideally, plus you avoid any issues from the stepped ceiling height you mention in your other post. Yes, adding the wall will be more expensive but I think the results in terms of sound quality for both systems will also be better. I don't know whether that approach or integrating the systems will offer the best "bang for the buck" for you, part of the answer to that question depends on your tastes, but I do think either will give you better results than setting up 2 separate systems in the same space as shown in your diagram.

I know you can make asymmetrical setups work and work well because I've done it, but it's trickier to do that than to make a symmetrical setup work well and it takes a fair bit of experimenting to come up with the best results in an asymmetrical setup. There are no simple rules of thumb when it comes to asymmetrical setups and every asymmetrical setup is different in different ways. You have to find what works for your case. There are some basic rules of thumb for symmetrical setups and while you may still have to tweak things a little, it's a hell of a lot easier to do so in the symmetrical case because both sides of the room are going to behave in a similar manner.

That's my take on things. I'm sure you might be able to find some people who disagree with me but after years of living with asymmetrical setups and dealing with the problems of finding ways to make them work well, I'd rather go for a solution that avoids asymmetry if I could get one and your 2 systems in the one room setup doesn't do that. Integrating the systems and separating the addition from the current space with a wall both maintain symmetry for both setups and avoid the problems arising from asymmetry. I'd go for either of them before I went for the setup shown in your diagram. My preference would be to have 2 separate systems and rooms but that's also the most expensive option in some ways and you probably end up with the bigger space going to the HT system in order to get good placement of the surround speakers when I'd rather give the bigger space to the music system.

As I said, you can probably find some people who would go with your proposed setup and they will obviously see things differently from me. If you can find such a person and they've got experience with that kind of setup and dealing with the asymmetry issues, then I'd give a lot of thought to their advice if you're going to go down that road but my advice is to put up with asymmetry only when the room itself forces it on you. If you have options which avoid it, then they're the options I personally would go for first.



David Aiken

RE: Acoustics for different room types, posted on November 13, 2009 at 15:46:50
Brad225
Audiophile

Posts: 83
Location: Tampa
Joined: December 25, 2006
Contributor
  Since:
January 26, 2008
Thanks David I really appreciate your honesty. That is exactly what I am looking for. I don't want to spend that much money and end up with no substantial improvement in sound.

My feeling was that if I received a response that the room could work but acoustics would be a challenge I would hire Rives or company like them to help me with the technical end and I can handle the aesthetics.

I will look at the cost of making the music room 8' longer and having 2 rooms. The cost of adding 8' worth of materials won't be that great as opposed to all the extra acoustical treatments.

I really don't want a music/HT/living room. Once extra seating comes in then tables then lamps then art work then nic-naks and it goes on from there.

I will play with the design this weekend and be back asking for more opinions.

Thanks
Brad

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