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Very amusing. A couple of comments I loved:
Robert von Bahr, in total frustration at Teresa's assertions and opinions (which, in true shoot-from-the-hip hit-or-miss fashion, are right every so often): "Even a blind hen picks a corn sometimes."
Another poster describes Teresa as "the Sarah Palin of SA-CD.net".
and nearly ripped my eyes out of my head.
Please please please keep her away from here. I'd rather be pecked to death by a herd of rabid chickens than spend even a nano-second playing on her logic-lawn.
and sounds almost exacytly the same.
Teresa and Hiro are evil.
navman
at least backwards, and when I hit the DSD posts, I had to stop.
Boy am I glad she no longer posts on this forum.
navman
At least we can talk about music.
Teresa has from the beginning stoked frustration and anger at sa-cd.net Robert defends his recordings and quite honestly there is every reason to support what he is saying. Teresa refuses to listen to the Vanska Beethoven even when she was offered a free set. Truth be told, she doesn't want to be proven wrong as she was before about resolution and BIS recordings.
consequence to be feared. BIS records many composers that other labels would not touch. Most of my collection of the music of Alfred Schnittke is on BIS and I am greatful that they made the effort to comprehensively record it, and in good sound as well. They should be praised and not denigrated. I think there comes a time when a person as unstable as Teresa should be called out loudly, banned, and ignored for all the damage she is capable of doing.
Most everybody knows she's a nut. Those that don't, soon figure it out.
I have to admit, I do miss her a bit. Was always good comic relief to come into 'hi-rez' from time to time to see the shit she had started. LMAO! Would I be a sexist if I said I wonder what she looks like?
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Please remember Your gain is our loss.
If you all dont soon stop smirking
I will ask of our boss,
to send her back here,
As soon as is poss.
"sa-cd.net" forumite but not Shakespeake.
Someone asked her the question about her steroids.
Apparantly thats the only set up she said she listens to nowadays w
I am only posting this on this site to save endless discussion on our site as to whether this is true. ie Did,did not,Did, did not etc etc
What in the world?
navman
I remember from the days of LPs that Robert von Bahr was testy and defensive of his recordings and pressing quality. When there were complaints about noisy pressings, he was quick to jump into the fray and to defend himself vigorously. So it's not surprising that he is doing the same now. He was never able to admit there was a problem. I had bought a lot of his LPs and thought the quality had slipped.
Since Bis has stopped doing DSD recording, I am very careful now with my purchases of Bis SACDs. I will buy the CDs or SACDs if the music is compelling and the price is right. I recently bought the complete Villa Lobos Choros and Bachianas Brasileiras. Seven CDs for the price of three. Unfortunately I have never listened past the second CD. The distant sound is mediocre and doesn't serve the colorful music.
Apparently Bahr has made an economic decision, as he did in the LP era. The market seems to be accepting lower sampling rates, even when issued on SACDs. I would prefer the 2L model -- recording at the highest rate possible. It's my opinion that this leads to the best sound quality.
I was not aware of von Bahr's history of defensiveness. I do think that some of those BIS Grieg and Sibelius recordings (especially the ones with Vänskä) are tremendous. However, I did pick up one disc in their Elgar series with Otaka and the BBC Wales Orchestra which is just as you say in describing your Villa Lobos recordings - too distantly recorded to have much color and impact. I also have a couple of the Vänskä/Minnesota Beethoven symphony SACD's, and I like them, although they too could have a bit more solidity and impact.
Re 2L - I couldn't agree more. They're the standard in resolution right now, but of course there are other factors that go into the making of a great recording - many of which 2L also gets right! As we mentioned before, 2L is one company that definitely knows what it's doing! :-)
guess I'm different. I now have a new digital site to visit.
gary
Then I guess she can see the Moscow Symphony Orchestra from her house
.
Maybe she could petition Al Gore to have everyone banned from the Internet ... since everyone seems to disagree with her rantings. I am sure that she must have some lucid moments, but maybe she needs her meds adjusted a bit.
Why, has she quit posting there ?
Stirring the pot Chris?
Tom
Yeah - possibly. You have to remember however that I was NOT in favor of her being banned from this site. And actually, I believe our posts (hers and mine) were mostly pretty cordial here. I still think what's going on over at SA-CD.net is pretty amusing however. :-)
... I haven't found a search engine over there.
The forum link is shown below. The comments I quoted are near the last page of the "BIS Thread".
I give up quickly on contentious threads. I'd never have lasted 99 pages.
I don't have time to read every single forum out there. For me, this was a good way to catch up on Teresa's latest adventures.
. . . of Perri Knize's "Grand Obsession". I'm about 5/7 of the way through it. I'm enjoying it very much, even though I'm a bit ambivalent about the author herself - she seems to be one of those vinyl nuts, as well as an obsessive-compulsive about her piano. :-)
Very interesting information however about all the factors which can influence the sound of a piano, as well as the frustration of not being able to keep the instrument's sound at a certain level of beauty, once you attain that "ideal" quality. It makes me think of the old proverb about how beauty cannot be captured and held. It also made me think about the parallels to our sound reproduction equipment - which seems to sound different on different days! I've always chalked that phenomenon up mostly to psychology (speaking for myself anyway), but I'm sure there are physical factors too - just not as many as with pianos. :-)
...there is a surprise ending to her quest! But even the tacked on ending about how the wood is grown in Bavaria, with certain trees suited for pianos and others for violins is fascinating stuff.
Ya, it's heating up there!
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