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(GOAL: Recreate, as close as possible, the full SIZE and SCALE of a large orchestra, using full-range DIY linesource dipole speakers.)I have developed plans to build a modest custom home with a large, by domestic standards, "loft style" room that will serve as living/listening room, study, dining room and kitchen. As the plans stand, this rectangular space is 27' wide x 32' long with a flat 14' ceiling. Built on a concrete slab, the walls will be insulated concrete forms, which are 9" of re-bar reinforced concrete poured into permanent forms of 1" thick rigid insulation, covered by drywall. Various investigations suggests I will have room resonances at:
--40.3hz floor-to-ceiling
--20.9hz side-to-side
--17.6hz lengthwiseMy speakers will pretty much run out of steam at 25hz after substantial bass boost to address dipolar cancellation. At this point, I am not planning subs, but the main room is designed in such a way that a multi-driver infinite baffle sub can be added later.
The linesource propogation will limit (not eliminate) the scale of the floor and ceiling reflections, but I assume that I will still be exciting this resonance with 2nd, 3rd and higher order reflections. Correct?
So, at first glance, it would appear that any major room resonances would be below the 41hz bottom range of orchestral instruments. Save for echoes (addressed in part via many diffusive elements in the wall shelving, furnishings, etc.), have I crossed some sort of "good room" threshold here, due simply to the size of the space?
Follow Ups:
Rob,I think you're missing a few points. First, each room dimension has multiple resonances at related frequencies. So a 32 foot length that resonates at 17.6 Hz also resonates at 35, 53, 71, 88, etc Hz. As you go higher the resonances contribute less, but they're still active.
Second, room resonances are only part of the room's contribution to low frequency response. Just as important is basic acoustic interference, which causes peaks and deep nulls at 1/4 wavelength and related multiples away from the walls, floor, and ceiling. So regardless of what a mode calculator reports, you'll still have peaks and deep nulls at all low frequencies, depending on where you are in the room.
Third, low frequency response is only one part of the room's contribution. The other is modal ringing, which is sort of like low frequency reverb, and occurs at all the resonant frequencies of each "harmonic series" for each dimension. Modal ringing is a huge contributor to muddy bass since it causes some notes to ring for longer than others. When a bass note sustains after the bass player has stopped playing, it conflicts with other subsequent notes and makes it difficult to discern which notes they are. You can hear that something is going on down there, but you can't quite make out what.
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