![]() ![]() |
Audio Asylum Thread Printer Get a view of an entire thread on one page |
For Sale Ads |
24.99.71.139
In Reply to: Re: Perhaps you need to return to the original question posted by Bassmec on November 28, 2005 at 09:06:07:
to fully decode your posts, but yes, there are mics and mic preamps used in commercial recordings that have output past 22k.If you don't use Neumann, ATC, or Sennheiser mics nor preamps like Millenia Media, then perhaps you don't have to worry about such things.
Follow Ups:
I used to work for Sennheiser, and as I recall, their mics in most cases actually do not have significant response beyond 22 kHz. Even among the RF condenser mics, all but the MKH 816 shotgun have sharply falling response at 20 kHz (the MKH 816 actually has a dip at 15 kHz and rising response at 20 kHz).A couple times there I got calls from guys who insisted that a good mic should have response down to 0 Hz. I had to gently point out that the mic would have to also include a barometer to do that. ;^)
Dear Rw
I use Neuman and Sennheiser Mics. I have monitors with ATC midrainge Soft domes. The tweeters are Scanspeak I think.
Pre amps by STC, Neve, RCA, Gates, Symetrics, BE, Never heard of Milenia Media and I have been in this business 33 years full time. Just checked Dreamhire and Blackbird audio rentals Nashville.
They have everything a grown audio engineer could possibly desire.
Including several Fairchild 670s and 18 of the mic I would most like to own ELAM251. Nothing by Millenia media for hire.
Can't remember seeing that name on British hire company lists.
Regards Mark
PS What is it again that makes this pre amp so sought after.
![]()
They use the preamps, as do quite a few other folks.rw
Dear RW
Yes I am and a very good old boy was Thomas. Though
far too Swedish for my taste. Hardly a sense of humour at all.
Regards Mark
![]()
It was rather dry, but it was definately there.I got to talk to him a few times about why he designed the Soundstream stuff the way he did. It's a bit tragic that that work never got put into publication form.
![]()
was on hand in Atlanta back in '78 when the ASO did The Firebird . I had the good fortune of playing a minor role during the recording and meeting Woods and Fenner.rw
Dear DW
That must have been a fantastic experience I am dead jealous. Back then I was a gopher/tape op at Polydor studio two stratford place and very willing and much abused. I never got to go on any interesting outside jobs. I just went that translucent white like one of those termites in a mound. And still had to moonlight to make my rent.
EEEE those times were hard if you told the youth of today they just wouldn’t believe us.
Regards Mark
![]()
This post is made possible by the generous support of people like you and our sponsors: